Tag Archives: storyFirst

a little discussion about Behavior Modes

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Photo provided courtesy of C. Nancy Niu

Once again — I’m fortunate enough to in life to engage with The Boston Area UX, Design and Tech Community by giving talks on topics I am deeply passionate about within the realms of creativity, collaboration, experience and story.

Akshat Pradhan invited me out to UX Boston last week to present Behavior Modes for UX, an important sub-topic to my larger concept of designing with a storyFirst human-centered design approach. And I got to give the presentation as part of an evening of talks called Ideating Mobile, Prototyping w/ Sketch, and Behavior Modes! that included a talk on The Mobile Ecosystem Matrix from The Meme Design’s Carlos Cardenas and a super helpful prototyping walk-through by Aquent Gymnasium’s Jeremy Osborn.

So, here’s a quick, high-level fly by
on what I’m calling Behavior Modes:

 

Behavior Modes for UX

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In a nutshell — as a now near-20-year-spanning, lifelong experience designer in New England, I feel that UX teams embedded in various firms in the area nicely use all the amazing industry-standard tools and tricks, but we sometimes seem to just go through the motions of assembling the toolkit while missing the core point and actual tactical unique benefits of why we’re using some of these tools to begin with, ya know?

My case in point for this particular talk — personas

Companies develop personas. Sometimes they outsource persona development and invest a lot of big money to conduct painstaking research to craft a fantastic batch of 10 or so personas per user type within a company’s anticipated target audience. And this is all wonderful. It shows that firms are really starting to step up and take research and user-centered methodologies seriously because hopefully they understand that serving people is what we need to be all about.

But …

In 2015 most teams seem to almost treat personas as some sort of Fine Art object we put on the wall. We see faces and little blocks of stats and commentary pinned to the wall like strange dossier-like posters to remind us that there’re people on the other side. Its a bit reminiscent of the hunter’s lodge tucked so politely away in a wooded Vermont hillside cabin, nicely decorated with the dead, static remains from that huge invoice —from all that research — like a pristine, captured set of kills strangely stuffed and mounted to the wall like a museum-like reminder of the people that we once knew and talked to and taxidermically preserved. We got ’em. Check! Task done!

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But I’m not sure that this is how Alan Cooper intended teams to leverage personas in our daily work. And I’m certain they’re not supposed to simply be flowers on the wall. We’re, at the very least, always supposed to keep the faces, names and motivations of our personas in mind as we design — and I’ve noticed at least a dozen occasions over the last 17 or so years where someone does the whole ‘Do you really think that’s the way TechSavvy Simone would want to create a new user profile on ProductX?

That’s not enough though, right? Just a dozen times in nearly 20 years? C’mon!

I mean, besides UX professionals digging into putting together a list of potential user types and maybe referencing one of the personas as a way to advocate for a semi-fictional real person in a design review meeting, not once have I seen anyone fully embrace the entire potential and value of tuning into your personas.

This is why I am talking about putting our personas into a situational context to bring them to life.

As creatives, I feel that its quite sad how flat and dead our design processes can feel. It seems that you get the gig, set up at a desk, start attending the meetings and doing the work ‘n all — but we all tend to hang up the power of our imagination somewhere else entirely. And this is a shame. After all, these powers and skills are forces we were actually hired by a company to use in our daily design work. But somewhere along the line we all tune out of The Imagination Channel and tune into whatever readymade, prescribed policies and processes make the most sense to use at work because we’re used to them.

I want us to tune back into The Imagination Channel.

Personas are the best way for us as designers to get out of our own heads and into the minds, hearts and emotions of our human users. Its literally a way for us to channel the users in that fuzzy kind of New Age way and wonder from somebody else’s perspective. But I think there’s a reason why our personas remain on the wall in their frozen taxidermied state as these cutely named posters on the wall. Personas need context to come back to life. We need to not only understand the statistics we’ve researched around real people that use our products, but in order to best design for real people we also need to understand:

  • when they’re using the experience(s) we’re designing;
  • how often they use it;
  • why they’re using it in a certain temporal context;
  • how often they might get interrupted mid-task;
  • when and how they might re-engage and continue an interrupted experience with your product or service;
  • where they’re using it;
  • what version of a holistic experience design our users are engaging with ( mobile, desktop, tablet, wearable, kiosk );
  • who else is around when they’re using it;
  • how people use it within different levels of criticality ( if that even pertains to the experience );
  • etcetera, so on and so forth

This is what Behavior Modes are all about.

Behavior Modes are bits and pieces of modular context to map to your personas to better dream up and understand an actual person’s story within a temporal situation as they might experience what you’ve design for them.

I think of Behavior Modes as different than a formal use case scenario, although I imagine you could leverage the contextual factors that come together to make up your behavior modes to develop interesting, near-real-life use cases to consider for your design processes and reviews.

I’m working on formalizing my thoughts around Behavior Modes and my storyFirst Approach to Human-Centered Design and will post more to my blog here as my concepts come together.

Stay tuned!

on Purpose

defining-the-teams-purpose

we all live relatively short lives

with that in mind — there is not all that much time to really make a difference in peoples’ lives over the course of one life

i am a designer

i am actually both an artist and a designer

its taken me 45 years or so to re-find and refine my personal purpose in life

i am an extremely late bloomer, i guess { as if you couldn’t tell }

but that 45 is just on the art side of who i am as a person — and although i tend to purposely blur the lines between Art and Design, after about 20 years of practicing experience design and related areas within the industry i think i’ve also begun to re-find and refine my personal and professional purpose in life as a designer

i believe its vitally important, too, for designers to find a higher purpose for themselves

it took me a while to actually give myself permission to take this more personal, purpose-driven approach to the work i do, but let me tellya, it makes a world of difference when you look at your life and what you do on a daily basis with the right pair of glasses on — know what i’m sayin’?

the goals you set for yourself while under the influence of your higher design purpose can help put your entire career and your entire life in much better perspective

you start to understand not just what you should do and which fights to fight, but you also start to build a far better understanding behind why we design — there’s a far better precedent put to the work and you can just really sell that shit with a brighter, more meaningful confidence in your heart and in your soul

this purpose that i blog about here, for it to truly help you out { and to truly help out the organizations you work for } — your purpose needs to be bigger than any company, perhaps even bigger than the industry you are designing for

most of the time the truly innovative, speculative design ideas you come up with will be ignored, overlooked, undervalued and perhaps even ridiculed or dismissed — and this is okay, its actually what’s to be expected, as unfortunate as that may sound

your purpose goes with you, though, from place to place to place — and the ideas and the experiences you collect as an employee, which is another way of saying an inside primary user of the company brand experience, gives us all new business dynamics to learn from and to ultimately grow as a business person { and as a designer }

my own personal { and professional } experience design practice advocates for a human feel — the technology needs to serve the people that use it as best as humanly possible, otherwise i feel that we’ve missed the mark as a design and development team, and ultimately { at the overarching level } as a company

stories — real, human-told stories — give us all some guidance for the human-centered design process and help us as designers and developers understand what human considerations need to be made for the systems, interactions and flows we build together

because ultimately — at the end of the day — as interaction and experience design professionals we’re pretty much designing this wonderfully strange, dynamic madlib story for people that need to use our software and we’re asking them to be our characters — we give them props, tasks and ways to accomplish what they might need to get done from using our online { or off } experience, we put them up on the stage, write them into the page, and then they step in and live out the stories that hopefully meet and exceed all of their needs and expectations

we then need to re-read the story and devotedly follow the characters to observe where the story feels broken or less than human enough for the world — observe, analyze, refine, repeat

little by little the hope to improve our human experience in life glows

we bring some light

that lightness then hopefully maps back up to our personal higher design purpose

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myOwnMind, LLC and a little storyFirst out @ the UX Boston Conference #1

logo_myOwnMind

i recently established a new concept based on a slew of back-logged experience design ideas i’ve decided to revisiting again and really start actively digging into — i’m calling this latest self re-invention design exercise myOwnMind, LLC, and the original idea came out of my own improvisational humor in a passing conversation with friends

in a fun back-and-forth exchange of energetic and fun discussion, i told my friends,

‘yeah, i actually used myOwnMind { to do that } — its, like, the original app’

as if my brain were some mysterious technology that i somehow ‘tapped’ into in the process of getting some design work done for a client

 

i’ve actually evolved the idea in a very wonderful sort of way into an actual, semi-realistic business concept by putting some company information up on LinkedIn … and i seem to keep getting a lot of amazing positive response from the brand and the concept — here’s the basic gist behind myOwnMind as copy-pasted directly from my LinkedIn Company Page Description:

By leveraging a variety of somewhat nebulous experimental cyberSurreal techniques — the interdisciplinary consulting team at myOwnMind deeply focuses on both client- and self-initiated project-based work to create change for good. 

Don’t just think about it — and definitely don’t merely complain about the frustrating state of the world as we’re experiencing it today — work with us to actively engage in collaborative efforts to change the world.

in just the last 2 to 3 days since posting the newly-designed logo, wordmark and tagline to LinkedIn and to the myOwnMind website, i’ve received more than a dozen congratulatory messages for people in my network as well as other messages from several companies and individuals reaching out and expressing interest in finding out more about myOwnMind — which is truly cool news by me, right?

 

one last tidbit i need to mention before folding up this little twisty origami blogPost is how happy i am and how lucky i feel to get the opportunity to present my storyFirst talk out at the very first UX Boston Conference at the Microsoft NERD Center on Saturday, July 19th

i first presented storyFirst out at MassArt as part of the Continuing Ed Lecture Series back in February of 2013 — and although i previous discussed ways to better leverage storytelling { and aspects of story via narrative and various narrative elements } in some casual settings, organizing my thoughts on the topic and presenting at MassArt gave me the tremendous opportunity to really hone in on how to initially articulate my ideas and discuss the benefits of putting story at the center of such an interdisciplinary and complex set of processes

now, thanks to this fantastic opportunity to revisit the talk via this public speaking engagement out at the UX Boston Conference, i’ve taken a few steps back and thought through the core message in a far deeper, richer way — i truly feel that this second installation of ‘A storyFirst Approach to Human-Centered Design‘ will more succinctly and more powerfully reveal the core message of the talk while also elaborating on the significance and value of putting story smack dab in the middle of the process

i’m really looking forward to giving the talk at the UX Boston Conference and i hope to see you there!

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the theatre of Work, ReVisited

theatreofwork_preview

back in 2009 when i still conducted critical design research for Dynamic Media Institute in Boston i decided to start up a presentation series aimed specifically at helping my greener friends coming into the industry with some of the basic challenges they might encounter along the journey of their profesional lives

i’ve encountered more than my fair share of interesting twists and turns in my rather adventurous career as an accomplished experience design professional — and some of the joys and tribulations of navigating the glorious terrain can benefit by simply continuously building a better and better understanding and awareness of the environments in which we need to perform

in delving into the digital archives of my mind i recently rediscovered a few slides appropriately titled the theatre of Work — survival tips for newcomers to the workForce

the theatre of Work

the phrase by itself starts to imply some of my subconscious views and feelings regarding: the social dynamics; the essential personal behaviors we need to exude while performing; and general feel of the landscape set up by the workaday world as a means of reaching toward success for ourselves and for the companies we work for

i am an experience designer and a performance artist

i never studied the theatre, which is an important key differentiator i need to continually remind myself of along the way

its also vitally important to have an unrelenting sense of self-awareness and continuous introspective reflection for the kind of trek we’re all on within ANY industry

just this hybrid mash-up between designer and artist can have extremely important internally conflicting motivations embedded within the very nature of each role

but anyhow, i digress { i just heard someone on blogging across the way stand up and scream, ‘DigreSsioN!’ ala that famous set of passages from A Catcher in the Rye ;] }

after living a little longer and experiencing a few more years of this life of work we all live and breathe, i believe i have even deeper, more profound wisdom to share than i originally intended by designing up a few slides for a future-such talk to be about workerly advice

i am therefore re-opening this thread of thought — copy-pasting the open Keynote file and the PSD folder from my portable harddrive back onto my current active MacBook Pro device to really start digging into what new significance i can bring to the table to help people navigate the choppy waters and hopefully not make all of the same foolish mistakes i’ve made along the way

i know my triathlon could’ve gone a LOT smoother so far had i just had proper mentorship or perhaps better personal self-awareness and more thoughtful empathy to guide me

but i’m an impatient clown, for the most part

i always want the impossible and i design to reach for the bluest of the bluest skies

i would be more of a fool, however, if i continue to noodle and clown without ever learning and growing for the journeys i’ve made — and i feel that if i share some of my story in a thoughtful and meaningful way it might actually make up for my own silly idiocies and hopefully make for a better overall experience for colleagues, friends, acquaintances and frenemies that even care to listen at this point

i need to focus on my storyFirst presentation out at Massachusetts College of Art for the next few weeks, but i also hope to put some time into this theatre of Work concept, too, as it is near and dear to my heart — i want to help people and give them better perspective and hopefully facilitate better and better experiences in the world through my designwork and my design leadership

but, until then — shove off, bitchez! ;]

 

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some things i am thankful for this year

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a little corny, perhaps, i know — but i just want to take a few moments here on the old WerdpreSs blog to pay respect for some of the things i am truly thankful for

i know its readily apparent lately that i have a bit of angry energy lately — and that kind of energy, as unfortunate and typically unappreciated as it might be to our society, is hopefully, at the end of the day, NOT what i am all about as a person — its at least not the kind of energy i want to be all about, and so here i am in this blogPost making a bigtiMe attempt to show you the softer side of Sears at this time of the year when we all get together with the ones we love { family, old friends, new friends and sometimes even strangers } to traditionally give thanks for another bountiful harvest season in the Autumntime as we move into another Winter Season of earthen death and eventual rebirth with the advent of the new year in the Spring

anyhow

for those of you that don’t know the latest and greatest goings on in my life, i’ve had what one might call another interesting year 

never a dull moment with me, that’s for sure

but needless to say, i find myself once again in a time of transition

i am between jobs after my departure from Schneider Electric in midSeptember — not something i planned out entirely, but after a rough patch that followed several months of mutual discomfort, the organization deemed that my employment with the dev team wasn’t a good fit, and frankly i can’t say i disagree — i truly wanted to stay for a lot longer period of time but didn’t have the kind of support and guidance from management one would need to successfully introduce and implement a reasonably-vigorous user-centered design methodology to Schneider’s development team and processes, and i personally didn’t have the patience to withstand the strange stunted dysfunctional dynamics embedded in the slow-motion ennui of this kind of cardpunching manufacturing Industrial Era leftover work environment

getting bitter there

apologies

but — despite the unintended outcome and the sour aftertaste, i really learned a lot from the experience and the kind of mismatch i encountered between me and Schneider Electric, and that’s pretty important

some BIG lessons learned

and that’s important, this kind of learning from mistakes — but unfortunately this experience of human failure and learning gets a bum wrap in our Success-Driven Type A Society — i’m not gonna worry about it too, too much though — i like to put it all out there and even learn from that sort of naïveté

so i definitely have a lot to be thankful for my experiences this year with both Mobiquity and Schneider Electric — and i say this without the bitterness of the previous paragraphs because despite our philosophical and ethical differences and approaches to the work and business we conducted together, i really truly learned a lot this year and feel like a much better person because of it

strangely enough, too — i think i’m on the right track

this is MY path and i’m proud of it

quite frankly, i NEED to stand up for myself and what i believe in and i actually think that its not only the patriotic thing to do for the betterment of our country, but i also believe its the only way we’re going to ever make a difference in the world we all live in

we need to believe in ourselves — and we need to believe in something — and then we need to stand by our beliefs, sometimes at the risk of a stable sense of employment — and this year i learned all of that about myself — that standing for something like a strong work ethic and a decent pace and sense of urgency should not conflict with the mission of corporations and the kind of work we do on a daily basis — and i’ve learned that, as a designer, trying to iteratively optimize and smooth the processes of an organization is part of the gig and the challenge of what we do if we’re doing it right — removing yourself from the daily politics of the situation is quite literally NOT participating in the active endeavoring to be your best and do the best work you can possibly do for your company, for your country and the world

sounds heavy-handed, i know

but i’m just letting you know what i learned and what i am truly thankful for

and i am thankful for these experiences i had at Mobiquity and Schneider Electric as some form of human-centered experience architect for each firm because they helped me rediscover in a far deeper way who i really am and what i stand for — and they’ve definitely reinforced for me that the idea of leveraging story { i call my latest thinking around leveraging a story-driven ux methodology storyFirst } as the core, critical driver to a human-centered, collaborative design process actually work in an extremely powerful and successful way

 

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but before all of this employment or lack of employment nonsense, though — and as the most important area of life i am most thankful for — are the people in my life, and most of all for the amazing family i have in my life at this point in life — i couldn’t have even gotten through all that experience i just described above without the support, love and daily life with my wife, my children and my grandchildren

my family gives me the inspiration i need to move on

my family, of course, reaches out beyond the immediate family i just described — and everyone in my family is an important component to shaping who i am today and also helping me survive and learn and grow and live — i am thankful for and love each and every one of you and know that i would be a lot more lost in the woods without you { or worse yet, in the streets i bet }

you are my inspiration

i also have an eclectic and very talented and beautiful set of friends in the world, and you are all veryMuch like an extended part of my family — you all inspire me and i appreciate: your encouragement; your guidance; your presence; your existence; and everything you do

 

treetops

i also am very thankful for the week we are about to experience — the people i will undoubtedly see and celebrate our thankfulness with over a meal and children playing and conversations

i am thankful for the opportunities i have ahead of me and this time of re-invention and rebirth

i’ve had about 2 months now to seriously dig into myself and reflect and to re-discover what is truly important to me — the work i’m doing is very active work, work i am also guiding through a core of assessing and rewriting my own story, my life’s story — and its difficult work

i am definitely still in the forest, too

but its a glorious day

and the trees are beautiful

the sky is blue

and even the clouds are beautiful and peaceful and inspiring

and i am thankful for once again being able to see how beautiful life is and can be

but most of all

i am thankful for BitCoins®

i am thankful for BitCoins® and music, laughter and my strange sense of humor

and boy oh boy do i have a strange sense of humor, right?

ShoeStory1

a new direction for mobile design

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for the most part when we think about design for our mobile devices we have an image like the one above in mind — its a bit of a personal relationship we’ve developed with our smartphones, and the interactions are considered ‘micro-interactions,’ quick, task-based little spurts of use to check a little buzz or beep that went off in our pocket — we’ve got a little friend on us at all times now, and that little friend brings us the magic of real-time updates of information and some simulated sense of ‘being social’ through experiences like Twitter, Facebook and the like

a lot of the graphics you’ll find pertaining to using smartphones in particular show the one-to-one — person to machine — sort of relationship — and the person engaged with looking down at the little magic screen in the palm of their hands is either smiling and content, as if staring into a good friend’s or lover’s face directly or somewhat serious if the visual story being told is more about critical business communications

hospital_mobiledevice

we get the picture though — we all know the experience, the interaction, that’s going on between the facial expression, the position of the hands and fingers and the general body language and position of the neck and gaze

its a rather solitary experience, though, right?

even with the advent and common, everyday use of the supposed social web, the interaction is really between you and the data being displayed on a tiny shiny screen

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in her book Alone Together — Why We Expect More from Technology and Less from Each Other, MIT Psychologist Sherry Turkle takes a deep look at the worlds of sociable robotics and social media in their current state and the general effect these technological advances are having at a societal level — and as amazing as our inventions may be, the overall experience we end up having as human beings engaged with our technologies is unfortunately one largely steeped in isolation, loneliness and a sort of transactional behavior between people as mediated through the interactions we’re afforded to interact through

of course, we can also still participate and interact with each other in the moment, face to face, the old fashioned way, right? the analog means are always there for us to fall back upon, thank goodness — being in the same place at the same time can actually foster a certain vibrant energy and more efficient and active way to communicate, collaborate and get things done — but we can’t always meet face to face, in the current moment in today’s fast-paced society, unless, of course, we make the time and travel happen — at the end of the day, the feeling our device-driven world often leaves us with is a strange jumbled aftertaste of miscommunication, misunderstanding and an awkward, near-real-time, off-kilter distance between the actual people interacting through the devicery invented to facilitate better communication that can happen ‘anytime, anywhere’ according to the hypertechnophilic marketingSpeak we swim through on a daily basis

i would love to take the expertise i’ve built up over the last 20 sum odd years to try and steer the course in an entirely different direction

if our smartphones and other mobile paraphernalia are instruments of communication, might we then compare our iPhones and Androids to something more akin to a musical instrument? like a banjo, for instance?

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or maybe the comparison we try to draw is to something more like an orchestral instrument like the french horn

ChamberOrchestra

whatever the metaphor might be — i would like to change how our interactions through these technologies feel and hopefully even change the actual way we use them

i’d like to take ’em and shake up the paradigm in a big way, ya know? and why not? i’m a fucking rather accomplished experience design architect and designer after all — i want to change the story of these technologies before we become more isolated and distant from each other

if we think of our smartphones and mobile devices more along the lines of music-making machines, as tools for thinking and collaborating together in real-time and space, we just be able to retell the story a bit and design for more orchestral synergistic ways to use these truly phenomenal technologies

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i don’t know what the actual experience or interface for these new interactive paradigms might be quite yet, but shouldn’t our devices and our interactions through them feel more like this beautiful photograph of this string trio as opposed to this business dude getting some off-sync email back in the city office?

mobileDude

i actually think we need to start designing ways to allow our experiences through mobile and other new or evolving technologies actually better work in a together-like fashion, right? so instead of all the clutter and drowning information over-saturation of email and other truly horrendous collaborative cloud environments that only offer up a sandbox of confusion and uncoordinated, often disjointed collaborative team efforts — our new experiences should feel a lot more like what happens within the context of a real team — agility, muscle memory, easy means to pass the ball back and forth

or maybe better yet — maybe, just maybe — we might be able to think even bigger than that and design for interactions as graceful and wonderful-feeling as the coordinated, collaborative music-making of an orchestral ensemble

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i know its entirely possible — we just need to aim for that level of collaborative platform design — i don’t know that there’ll even be a Microsoft or Apple to take on this high task, as i’m sure its an enormous effort, but a truly wonderful one at that — i know that i would personally like my interactions and collaborations with all the people i work with to feel that powerful, fun and harmonious — and this is what i’ll be dreaming up through a storyFirst, iterative, human-centered process in my ample free time

i think this is gonna be a fun project to take on — i think its one of many projects that we need to design for in the world, one of many, too, that i personally want to dream up, brainstorm, workshop and design for — i can’t wait to share the progress as my efforts bear even little grapes and cumquats along the way as i’m sure its going to be an interesting journey

won’t you come and join me? 

 

words

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my wife Carol told me about this article she read or a radio interview she heard or something where the main topic up for discussion dealt with ways to guide your career — one of these fucking ‘paths to improvement’ kinda things, ya know?

aight

so

i guess the main person talking or writing about how to guide your own career toward better success mentioned owning certain words to help you channel / filter / control your behaviors and hopefully build a bit of a purposeful brand story for yourself — forgive me, i don’t know the real terminology from the article or interview, just the main concepts i took away from our conversation over the dinner table and all, ya know?

huh, i just said ‘ya know?’ to finish off 2 main paragraphs in this blogPost

not cool

but back to the main topic here, aight?

so, not sure if you’ve read some of the previous posts here about a little riff i got goin’ on called storyFirst, but its right here if you wanna go back — like you even have the time for that kinda schtuff right now and all, right? but the idea, the basic gist of it all is that you use the power of personal storytelling to drive whatever it is you might wanna change up in life, which seems, like, directly in-line with this article / interview Carol and i were discussing, right?

thank gawd i didn’t say ‘ya know?’ — ya know?

anywayz

so, i thought i’d take a few minutes to just jot down what i think my words are, the ones i’ve gravitated towards in both a purposeful and more subconscious manner over the years — what i’d love to see, if any of you can participate by chiming back through any of the myriad mechanisms or channels of communication afforded to us at this advanced age of ‘staying connected’ — i’d love it if anyone had feedback to say, like,

‘woah, lou, really? that was the vibe you were going for? well, you almost had it, but there was that fucking time you totally flipped out in the office about that email from Steve or something, i can’t even remember at this point, right? and that kind of behavior is not only totally uncool and all, and unprofessional, but it definitely goes against the idea of < put the word from my short-list in here >, which i thought was more along the lines of what you were tryin’ ta be all about — dude, what happened there?

get what i’m sayin’?

so, with that minimal contextual information and backStory in mind — here’s my list, my career list of words { or whatever you wanna call it }, and more importantly to me, my storyFirst vocabulary for some sort of self-guidance as: a colleague in the workplace; a friend in life; an acquaintance or friendly random strangerly cohort on the streets of San Francisco; an advocate for better human-centered design processes, methodologies and design results; a practicing Design professional and leader; a semi-professional wrestler sans mohawk, body piercings and backtatt skin graffitti artwork and speedo; an unprofessional japanese filmmaker; a storyteller of dark humor and adventure in a modernday world gone mad; a sometimes practicing open mike music or near-comedic performer; a laugh research practitioner and performance artist; a lover, a father, a husband and lifelong friend { only a very selected few can judge me there, at least from the special first-person perspective vantagepoint i’m personally looking for in my feedback communications }; etcetera and so on forever and ever ad infinitum farsi, amen

and thus, with no further ado, here is

my list of storyFirst personal life guidance and career-like words

fun

collaborative
highly collaborative in that kind of face-to-face sort of way that i think is absolutely vital to keeping things fun, light and efficient in the right kind of way { for the kind of energy i want to create, encourage, foster and be associated with every step of the way }

not innovative, although that’s almost the word i wanna hold onto — its just SO cliché at this point, right? and NOT every client, project, interaction or process is going to require or ultimately lead to a truly new and innovative approach or end solution — not even interpersonal, more everyday interaction needs constant innovation in the true sense of the word — i think the words that are related in some semi-sweet and semiotic fashion are more like:

nimble { really trying hard on this one lately, its a difficult one sometimes, especially when trying to improve team dynamics, etcetera nd so on }

big picture &/or blue sky — yes, its true, as a human-centered designer, after some ridiculous 15+ years of trying a million different ways of approaching a design challenge { if its even truly a design challenge at all after our initial investigations into the problemSpace / challenge context / all that }, i can say with full confidence that i always, always, always encourage and want to show off my ability to think big — in fact, to think bigger — when it comes to the way i research, actively design, think through, refine and execute my processes as a Design professional — if i don’t push for the biggest and the best right up front, the projects fucked

its that simple

its my job, as the Designer, to put the big vision { so i guess visionary could take the place of innovative, hmmmm } out there on the table { BAM! } and then to listen to like a dozen people typically sitting in 3 different office geolocations ask me big, doubtful questions — the sort of getting to NO approach of breaking the vision of what i’ve done to help funnel down the scope, the timeline and keep everything super slick and reasonable from a develper’s perspective — and THEN its my job, if i’m asked ‘Why?’ or ‘How?’ to ask, ‘Why not? Why can’t we just develop what I designed?’

ridiculous — yes, that’s what i said, ridiculous — i embrace it, all the way — i’m a goofy bastid and wherever i can fit in a laugh along the way, some subtle, twisted humor to cut through the heavy fog in the room at some of the dull ass conversations we all get to deal with in an office environment, i think ridiculousness { not the show, just the activity, the verb ridiculize, if that can even happen } is a tool i use, like laughter as an action in itself { even without the permission system of humor, joke or play to precede the guffaw, titter or ha ha } to break the monotony and move forward in a hopefully refreshed and lighter manner

along with that one, i guess, words like humorous, satiric, farcical — any word that’s associated with literally ‘making fun’ out of a situation, not to literally ‘make fun’ of it in a mean-spirited way, but merely to help us all survive and play together nicer — to ‘make it into fun’ i suppose — is a phraseology that i foster, support and want to be affiliated with — so, back to that top word, again, i guess, right?

hands-on and tactical but also high-level

well, let’s not get fucking crazy now, right? that’s starting to sound like typical corporate bullshitnot part of my personal storyFirst vocabulary list for this week at all

piece

a perfect world

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we all know its not a perfect world out there, right?

none of us are, like, THAT delusional

but, what if we all just pretended we live in a perfect world and we began to treat each other a little better? that couldn’t really HURT anybody really, now, could it? in fact, it might be kind of cool and awesome in some strange and cool way

here’s a f’rinstance for ya

what if instead of having a continuous stream of bad things to say about people, what if we only said generally positive things? doesn’t it just feel good to receive a compliment? it feels even better to give a compliment to someone — even if you get nothing in return { and you should never even expect anything in return, right? then you might be complimenting someone for the entirely wrong reason } it just feels good — it feels good to know you’re recognizing the incredible awesomeness around us all, that you’re appreciating life, and that you’re appreciating the people in life that make all of this so worthwhile and fun and happy and alive

bad things are going to happen no matter what

its inevitable, its just the nature of every time-based medium

and life is a time-based medium, so hold on, here it comes ;]

i mean, we can all be honest, too — no need to walk around like an imbecile or something, and its certainly okay to have an opinion about someone or something, but try and back it up in some way with some real reason why you’re feeling so down about these things — just a little bit of research can go a long way, and it will also give us all a little bit more insight into your thinking process and why you’re judging in the first place

if you have a point to make with these observations, with your researched and clarified opinions that veer toward the negative side of life, then good for you — and maybe even good for the world

but realize, at least, just how vulnerable we all are — and especially you as the judge and jury expressing these opinions, especially if you’re expressing them in a very public place like on a blog or on Facebook or at church

unless you’re working at the Lynn District Court or something, too, remember that the Judge also receives some judgment from the social community within which they lay comment — and even THAT judge, the courtly official presiding, will ultimately receive judgment — after all, its not an entirely efficient process — the pay looks real nice and there’s no reason to be efficient if you’re getting paid by your hourly input as never ever reflected by the actual quality of those then quantified hours

but that’s beside the point

let’s all try a little experiment

let’s pretend

what if we lived in a perfect world? what would we say to each other? how would we behave?

try acting like we live in a perfect world and that people act and behave certain ways for good reasons

it might make us all a little less critical of our brothers and sisters

and then we might just concentrate on good things, good people, good feelings, and all the stuff that makes life fun and exciting

i’m gonna try it

let’s see what happens

storyFirst

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as with most of the concepts i come up with — i am flooded with ideas, raw direction, so much intent, and then i typically register a domain name, attempt designing the first iteration of a logo and put together a landing page to claim my new turf

i equate it to the modernday animal domination of mental property on the subconscious market

sometimes the investment is well worth it and the page i create blossoms into a blog or smallish web site — the initial concept evolves and moves, it comes alive either through further visual thinking or through writing down my near-daily thoughts on that particular and typically invented subject

at other times i realize my property purchase is a fixer upper or maybe a subtle spin-off of someone else’s idea, and i either work on it or i don’t, it becomes a dead end of the interwebz or a tiny root-like germinated seed of an idea in slow motion, not fully developed but just waiting to grow { but in dire need of food, water, soil and sun }

the term or phraseology storyFirst originates from Dynamic Media Institute at Massachusetts College of Art and Design

i really don’t know yet where i am taking this idea, but here’s the gist and the backStory for storyFirst

Jan Kubasiewicz { sometimes known as Jan Kuba } developed an assignment as an improvisational evolution of work from previous weeks in the DMI Course Design for Motion, Time and Sound — in this week’s workshop session, our teams were to take the work done to-date and start up again from scratch, focusing on putting the story first this time

what’s your story? was also a question i recall Jan asking me several times at reviews each semester — he wasn’t really looking to string my projects together in a more cohesive manner so much as he was trying to figure out why anyone should give a shit about my project work, my research and ultimately my design

and this became a very important way of looking at the entire body of my work, at examining my process, the materials i choose to work with and the very reason why i research using both critical reading and visual design methodologies to actively understand my terrain

i think i registered the domain name for storyFirst around the time that Joe Liberty, Andrew Ellis and i collaboratively designed and fabricated the embeddedStory System for MassArt Made — i think i understood back then on some sort of subconscious level how important story was to my work and to my research in cyberSurrealism

but it wasn’t until i read Luke Wrobelewski’s recent book Mobile First that i felt the full-on inspiration to write a book about using story to drive design in a new way — i want to use story as a means to drive my professional design work and also a means to design and redesign my life { and the lives of others }

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now, i’ll be the first to admit { since we’re in a safe place here and i know you won’t just give away my little secret to just anyone, right? }, i tend to have issues with figures of authority — its almost a built-in mechanism, something i’ve only discovered through deep psychotherapy and self-reflection — i know that my satiric and humorous demeanor, my uncanny ability to ‘make fun’ out of just about anything, literally comes with severely scrutinizing the philosophies and actions of others and then trying to articulate what i honestly think and feel about well-established and revered pillars of practice and thinking

but i want this project, as much as it is inspired by my gut negative reaction to the Mobile First mantra and movement, i want storyFirst to become something of its own — i value some but not all of the thought that was put into Mobile First, i don’t necessarily believe its as practical and realistic a methodology as its advertised to be { i mean, how many clients can you convince to restart everything with a mobile experience as the filter to every single design decision you’re going to make across every extension and experience related to the brand of an organization? are corporations even that unified and organized to begin with to get THAT much buy-in and work in some harmonious, collaborative way to actually go Mobile First everytime? } — i don’t even think my most recent thinking about storyFirst benefits clients, prospects and corporations as much as i hope to benefit real people, and specifically designers

i believe that people — as natural human organisms — always strive to make meaning in the world — in fact, i believe that meaning itself doesn’t actually exist on its own in any way and that people, families, villages, societies and ultimately the symbiotic entirety of our macro-organic civilization create fictions and fact and rules around what these meanings are all about

we own a personal story,everyone of us — we can tell stories from memories, from episodes of our past and bring those stories back to life in conversation, in photographs, in dynamic media, in dance — and then we can imagine stories for ourselves and others, we can project what we think our lives can be or we can also dream up what we actually want our lives to be and then we can tell that story to ourselves and others — and then through user-centered design processes, confounded and delightfully weaved into the fabric of storytelling and retelling and actively pursuing these stories we create, we can design our lives — as individuals, as families, as villages, and as a global society

a little utopian, i know — but unless we strive for the impossible we will never achieve the dream

we may fail, and i believe right now we live in a time that manifests far more of a distopian twist on the original promises made by dreamers of progress and technology from the 1940s, 50s and 60s — but we need to follow the story, we need to follow the story a LOT more carefully and adhere to the benefits originally enmeshed with the original stories

i hope i can do this idea justice — i hope i can adequately tell the story i envision behind putting storyFirst in design and in life