Tag Archives: presence

laugh more often

stolen / borrowed photo of Danny DeVito laughing

maybe i just need to laugh a little more often

ya know?

 

Me and Marco as Beware the HaberdashMarco came out to Boston this week from Seattle and i have to say — i don’t think i’ve laughed so hard for a long, long time

and i think for the amount of time he was out this way we actually laughed more often than i normally do on your average daily or weekly basis

 

i feel a little better because of it, too

and it was all about completely silly shit, too

we didn’t need to go to a comedy club or listen to CDs of stand-up comedy in the car or anything

i think we’re just both imbued with this kind of comedic outlook on life

certain perfectly inane sequences of events can set off huge bombing guffaws of hilarity at times — and i know a lot of it is kind of just in our minds, if you know what i mean — its a particular sensibility that you collectively cultivate with a friend or a small group of colleagues or acquaintances that quite naturally develops and grows within the space and experience of the relationships we build in life — and its something unique to just certain friends, just certain groups of people in your life, based on the time you’ve spent and the amount of discussions you’ve shared over the years

sometimes just a look can set it all off, ya know?

a knowing nod

you know the deal, right? 

as a friendship builds — as any relationship builds, crumbles, ebbs and flows — the mutually-shared experiences and the things you talk about build up a sort of pre-verbal vocabulary that is very much based on a private language that each of us develops without a need for words

and its a phenomena that can really only occur with live presence

at least that’s my feeling about this concept

here’s Marco — a photo i took of Marco — when we lived out at The Church Street Apartment in Watertown back in the mid-90s

marcoChurch_desat

the photograph could be called A Portrait of Marco with a Shovel, Plastic Watering Can and a Guillotine — that’s the title i would probably give it if i were including it in an exhibition in some local café, full-well knowing that nobody would purchase the photo or anything, but that coffeeshop-going viewers might spend a few minutes looking and fabricating their own interpretation of the private language Marco and i were using on that rather mild, Autumn day

you can just see it in the photograph, too, right?

the expression on his face isn’t due to a conversation we were engaged in, i wasn’t holding up and squeezing a rubber duck or anything like that, in the way they would at a Sears Portrait Studio back in the 70s

there’s a familiarity between us — between me, as the photographer, and Marco, my subject here — that you can feel if you really tune in to the warm details of the end image — i don’t know if you’d consider the photograph to feel casual or friendly, but you can see a certain kindness being expressed by Marco

i believe you can’t develop that depth of emotional connection and feeling without actual, live, human presence

when Marco and i wrote, recorded and performed as Beware the Haberdash back at about that time — in the early to mid-90s — i know that our connection through the music-makingour connection: through vibration and rhythm; through composition and improvisational, collaborative interplay; through talking about the music or planning for a show — our connection dove into a far deeper subconscious zone where speech, instruction, conversation — all of these things — were no longer necessary for us to actually communicate with each other through our shared live and present space 

its a rather fascinating phenomena

and its a phenomena that i am currently trying to better understand through my research into another very closely-related, uniquely human phenomena — the phenomena of laughter

my own personal beliefs — as informed by both my currently-collected, active research and from my gut — indicate that laughter, like poetry, is both immediately mutually-understood by a group of people at the higher, signal level within a given social context and is also involved in such a complex intersection of intellectual, cultural and physiological systems that simultaneously shatter that understanding due to all of the actual environmental and behavioral life experience we bring into the live and present social moment

to back up just a little bit here, let me first establish a background concept, a simple definition, if you will, that helps set the stage in a better light

humor and laughter exist as a living, breathing,
organic and found cybernetic, social system

its a system that learns and grows and develops and ebbs and flows just like any relationship that gets established between any 2 or more organisms in the world

at one point in human history — one could guess from the research done to-date — laughter evolved

we developed a way to laugh

we most likely started laughing as a human beings for the verySame reasons that any species begins to mutate or discover a new special skill or feature — we started laughing as a means for survival — as a way to endure certain psychological tensions that come embedded in our earthen, natural environment or that pulse within our sociological and cultural ecosystems

laughter came before humor

there’s no chicken and the egg that i can fathom from what we know about the theories and vast, eclectic academic areas that touch upon the phenomenas of humor and laughter, which include:

  • humor theory;
  • laughter theory;
  • tickle theory;
  • comedy;
  • psychology;
  • philosophy;
  • sociology;
  • neurobiology;
  • phenomenology;
  • language and linguistics;
  • natural selection and the theory of evolution;
  • cybernetics;
  • conversion, translation and interpretation;
  • and energy;

 

unfortunately this blog veryMuch reflects the rather powerful subconscious manner in which i produce and pursue my work as an artist, designer and performer — bits and pieces come to me in a rather random and sometimes chaotic fashion — i believe in chasing my inspiration in the actual moments when she whispers to me, so this means many pieces will feel undone, messy, but hopefully vital and real { or at least as real as you can get on the internetz }

so i leave you here with my thoughts from today to reflect upon

much of my previous thoughts on these subjects can be found on a myriad of other websites i publish to — for more on this thread of research and thought on laughter, humor and the areas in-between, check out Laugh Institute up on the webz — or you can always check back here to poke around some more and read up on my progress on the laughterLife, my continued experiments, writings, design and research into laughter as a human phenomena

Check out Beware the Haberdash online

a new direction for mobile design

bigstock_Black_Business_Woman_Text_Mess_7014568

for the most part when we think about design for our mobile devices we have an image like the one above in mind — its a bit of a personal relationship we’ve developed with our smartphones, and the interactions are considered ‘micro-interactions,’ quick, task-based little spurts of use to check a little buzz or beep that went off in our pocket — we’ve got a little friend on us at all times now, and that little friend brings us the magic of real-time updates of information and some simulated sense of ‘being social’ through experiences like Twitter, Facebook and the like

a lot of the graphics you’ll find pertaining to using smartphones in particular show the one-to-one — person to machine — sort of relationship — and the person engaged with looking down at the little magic screen in the palm of their hands is either smiling and content, as if staring into a good friend’s or lover’s face directly or somewhat serious if the visual story being told is more about critical business communications

hospital_mobiledevice

we get the picture though — we all know the experience, the interaction, that’s going on between the facial expression, the position of the hands and fingers and the general body language and position of the neck and gaze

its a rather solitary experience, though, right?

even with the advent and common, everyday use of the supposed social web, the interaction is really between you and the data being displayed on a tiny shiny screen

MVI_3617.MOV_snapshot_01.13_2011.07.29_15.05.39

in her book Alone Together — Why We Expect More from Technology and Less from Each Other, MIT Psychologist Sherry Turkle takes a deep look at the worlds of sociable robotics and social media in their current state and the general effect these technological advances are having at a societal level — and as amazing as our inventions may be, the overall experience we end up having as human beings engaged with our technologies is unfortunately one largely steeped in isolation, loneliness and a sort of transactional behavior between people as mediated through the interactions we’re afforded to interact through

of course, we can also still participate and interact with each other in the moment, face to face, the old fashioned way, right? the analog means are always there for us to fall back upon, thank goodness — being in the same place at the same time can actually foster a certain vibrant energy and more efficient and active way to communicate, collaborate and get things done — but we can’t always meet face to face, in the current moment in today’s fast-paced society, unless, of course, we make the time and travel happen — at the end of the day, the feeling our device-driven world often leaves us with is a strange jumbled aftertaste of miscommunication, misunderstanding and an awkward, near-real-time, off-kilter distance between the actual people interacting through the devicery invented to facilitate better communication that can happen ‘anytime, anywhere’ according to the hypertechnophilic marketingSpeak we swim through on a daily basis

i would love to take the expertise i’ve built up over the last 20 sum odd years to try and steer the course in an entirely different direction

if our smartphones and other mobile paraphernalia are instruments of communication, might we then compare our iPhones and Androids to something more akin to a musical instrument? like a banjo, for instance?

BanjoBoots_1280x630

or maybe the comparison we try to draw is to something more like an orchestral instrument like the french horn

ChamberOrchestra

whatever the metaphor might be — i would like to change how our interactions through these technologies feel and hopefully even change the actual way we use them

i’d like to take ’em and shake up the paradigm in a big way, ya know? and why not? i’m a fucking rather accomplished experience design architect and designer after all — i want to change the story of these technologies before we become more isolated and distant from each other

if we think of our smartphones and mobile devices more along the lines of music-making machines, as tools for thinking and collaborating together in real-time and space, we just be able to retell the story a bit and design for more orchestral synergistic ways to use these truly phenomenal technologies

Australiann_Chamber_orchestra

i don’t know what the actual experience or interface for these new interactive paradigms might be quite yet, but shouldn’t our devices and our interactions through them feel more like this beautiful photograph of this string trio as opposed to this business dude getting some off-sync email back in the city office?

mobileDude

i actually think we need to start designing ways to allow our experiences through mobile and other new or evolving technologies actually better work in a together-like fashion, right? so instead of all the clutter and drowning information over-saturation of email and other truly horrendous collaborative cloud environments that only offer up a sandbox of confusion and uncoordinated, often disjointed collaborative team efforts — our new experiences should feel a lot more like what happens within the context of a real team — agility, muscle memory, easy means to pass the ball back and forth

or maybe better yet — maybe, just maybe — we might be able to think even bigger than that and design for interactions as graceful and wonderful-feeling as the coordinated, collaborative music-making of an orchestral ensemble

overhead

i know its entirely possible — we just need to aim for that level of collaborative platform design — i don’t know that there’ll even be a Microsoft or Apple to take on this high task, as i’m sure its an enormous effort, but a truly wonderful one at that — i know that i would personally like my interactions and collaborations with all the people i work with to feel that powerful, fun and harmonious — and this is what i’ll be dreaming up through a storyFirst, iterative, human-centered process in my ample free time

i think this is gonna be a fun project to take on — i think its one of many projects that we need to design for in the world, one of many, too, that i personally want to dream up, brainstorm, workshop and design for — i can’t wait to share the progress as my efforts bear even little grapes and cumquats along the way as i’m sure its going to be an interesting journey

won’t you come and join me?