Tag Archives: Matt Samolis

Sara June @ Woodstock4

i absolutely LOVE this clip of Sara June’s collaborative, improvised public intervention performance with Endguys out in Boston Common for Woodstock4

Sara June Woodstock4 from Uncle Shoe on Vimeo.

Movement artist Sara June in performance at Woodstock4, presented by Whitehaus Family Record on the Boston Common August 18-19, 2012. Improvised music by Endguys (Steve Norton, bass clarinet / Matt Samolis, flute). Video by Douglas Urbank.

Synthesize, Improvise and Otherwise — Saturday, June 8

on Saturday, June 8th — Lee Todd Lacks, Tom Swafford and i will appear at Matt Samolis‘ ‘Synthesize, Improvise and Otherwise,‘ a new and interdisciplinary performance works events out at Nave Gallery in Somerville

Check out more info up on The Book, aight?

we’ll perform a new composition of Lee Todd’s written in A flat minor with relative wholetone flourishes and micropolyrhythmic, purposely dissonant percussive undertone accompaniment with a slightly woody taste wildly reminiscent of 1984 or so aptly entitled ‘Ghost Mall’ — you won’t want to miss it — i’m serious — well, okay, i really have no idea who you are right now, right? the technology i used to put this blogpost together can’t really dynamically detect who might be reading this post in the moment and then, based upon your innermost desires and personal likes or dislikes in music then assess whether you might or might not want to miss it, this ‘Synthesize, Improvise and Otherwise’ that Matt Samolis is putting on out at that wickid cool Nave Gallery in the general Somerville districts of Massachusetts and all, but, hey, i have the write to pretend and play and let’s pretend for just a second that WordPress allowed for that post-humanic, überCreepy and simulated predictive functionality, okay?

woah

yeah

that’d be, like, kind of simultaneously amazing, this kind of stuff we dream up and invite, but also a little bit annoying and probably a little bit broken

like

it might not get it EXACTLY right, right?

but we’d kind of ignore the fact that it’d be a little ‘off,’ right? like we normally do — and we’d probably think, like, woah — oh my gawd, that’s pretty fucking awesome — who the hell dreamt this cool, new innovative trick up? how’d they implement that? was there some sort of direct emotional sensor that somehow reached out via webcam into my retina to pull out my wants, needs and personal tastes in music and performance art?

probably not

i bet it’d just be kind of random, but we’d believe there’d be this wonderfully creative and epically smart algorithm of pure genius behind it all — that somehow data answers every question we have and that any tiny miraculous event can be somehow utterly dewonderfied through scientific conjecture and fully quantifiable proof of anything seemingly magical, real or exciting

hey

i’d go out to this ‘Synthesize, Improvise and Otherwise’ — ‘sGonna be off da hook ‘n shit

i can tell it is

probably the best way you can spend your Saturday night { unless, of course, you’re going out to that competing Mobius event happening on the verySame night — jeez! }