Category Archives: humor

Scrum Flew Over The Cuckoo’s Nest

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Stand-Up

onStandUpi just wrote and posted some of my recent thoughts On Stand-Up Comedy and UX up on LinkedIn — go gander a bit and read if you’ve got some minutes to spare, i think i’ve bumped across a lot of interesting similarities between the 2 fields by taking Amy Tee’s Stand-Up Comedy course out at North Shore Community College this Summer and some of the work i’ve done by learning about stand-up — through the process of writing and refining a set of stand-up comedy — enlightened me about various aspects of my life ( both personal and professional ) on SO many levels

its been a fascinating journey

that said — in less than a week i will perform my very first serious set of stand-up comedy out at Timothy’s in Danvers — here’s a link to the Facebook Even Page in case you’re interested in seeing more about the event or maybe even purchasing tickets for dinner and the show — its gonna be a lot of fun with over 10 comedians breaking out their material to friends, families strangers and frenemies, i really can’t wait

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after this week’s debut stand-up performance i will most likely head back to Laughter at the End of the World, Outloud Open Mike and other similar, wonderful events to perform and test my material and hopefully augment this initial 6 minute set into a fuller body of work to keep pushing my comedy

after that, i gotta get back to focusing on building out and working with the team of Comedy Catalysts i’ve rounded up for TEDxBeaconStreet this November — SO many amazing TED Talks goin’ down for a big weekend in midNovember, and SO many talented comedic professionals expressing interest and comin’ on board — ‘sGonna be SO much fun!

 

 

on the next …

lou suSi, stand-up comedian and comedic performer

so, here i am

much of my life remains the same in so many ways — and yet recently i feel like i’ve made fantastic strides in life that open up new areas for discovery, new opportunities to grow and contribute in an entirely refreshing way

i’m starting up a new chapter in life

this is a chapter that i’ve actually been working on for most of my life

i’m such a fucking late bloomer, though

a complete clod

always fumbling for the pull chain to click-click the closet light on and finally shed some light into the darkened room

i say this not to beat myself up here on my very own blog or anything, but i guess in retrospect its all so refreshing obvious to me now

my new direction feels so incredible simple, too — almost too entirely natural for me to feel like i just suddenly discovered it over the course of the last few months

i’ve finally decided to start taking humor and comedy seriously

it sounds so hilariously strange to me when i write it out like that, too, but its one of the few times in my lifetime that just make sense and feel right { other similar times from my life include: coming back into Art and Creativity as my core career focus; falling in love and marrying the woman of my dreams and making a family and life together; digging deeper into my creative energies and talents to focus on experience design and research-driven, user-centered processes as my lifelong avocation }

i’ve done a lot of self-reflecting,
soul searching and analysis
these last few years

and its been wonderful looking back at my life to see the long list of crazy, humor-based projects, performances and installations i’ve either curated or directly created — running through my CV, i get this sense now that i’ve been tap-dancing like a madman in a field of pollock paint splotches, perhaps so busy making — happily making — to even see from a higher perspective if there might be any patterns lurking in the mix

part of me doesn’t want any of it to make sense at all

as an artist, that’s not my job at the end of the day anyways, right?

but another part of me knows that you can create from a far stronger place with a deeper sense of self-awareness around what you do { or even around what you did } and i think that’s what i’ve been finally looking into as a way to build a new place from which to make my work

you would think that all of this self-reflection, too, would lead me to a far mature foundation from which to make and curate and perform

but it looks like i still needs to be silly

perhaps even sillier than i’ve ever been before,
at least within the context of my past work

i recently took on the amazing role of the official Comedy Catalyst for this year’s TEDxBeaconStreet in the Fall and i am committed to making the comic relief i bring to the weekend and all of its surrounding events so completely knee-slapping nuttyFun hilarious that i’m almost skipping rope with glee like a naughty child from right my office desk at the moment

i am committed to bringin’ the funny in such a big, big way

just remember — i couldn’t possibly make fun of TEDxBeaconStreet by my lonesome — its only via my carefully hand-selected Comedy Catalyst Team that the right kind of laughter can flow between the cracks of over-glorified bleeding-edge ideas from the most upper ups of our oh so humble Boston-Area intelligensia

let me know if you’re interested in joining our wisecrack ninja team of humorists, stand-ups and other olympic comedic adventurers out at TEDxBeaconStreet — ‘sGonna be too much fun { TMF that is }

 

 

i smell an art rat tra la la tarrrrr

rat

Sell by

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on Turing

 

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and now … getting back to The Turing Test

lately my thoughts return, once again, to Alan Turing and the infamous Turing Test he conducted pertaining to machine intelligence, or better stated, pertaining to our human perceptions, beliefs and gullibility surrounding the technologies we create

the original goal of The Turing Test was to test ‘a machine’s ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a human’

however, based on this goal in relation to the actual methodologies and approach used by Turing, we can see a certain strange perversion didn’t necessarily shed any direct light on or prove anything at all remotely about a machine’s ability to exhibit intelligent behavior but instead used a trick in the form of a hidden human agent cleverly disguised as the computing machine to simulate varying degrees of intelligence along the machine to human intelligence spectrum 

at this time in history we may want to re-examine how we measure for intelligence — both machine and human intelligence

our standards of human language — especially machine-mediated, near-human language of social communication through the screen — have sufficiently changed over the course of several decades

and we need to keep in mind that the standards of human language vary significantly as we examine our communications as delivered through different mediums — for instance, human language in classic literature varies tremendously from the way we text each other via SMS; email communications — in regards to content, purpose and language structure — differ from the way we converse through social media as well as the way we communicate face-to-face IRL { the TLA for ‘In Real Life’ }; and so on

what if we considered testing ‘a machine’s ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a human’ by utilizing different forms of human communication exchange?

for instance, what if we looked at machine intelligence through the lens of humor and laughter?

Funny-robot

could a computing machine perform a successful set of stand up comedy in front of a live, human audience? can a computing robotic device actually make us laugh through comedy? not just by delivering jokes and schtick as written and honed through a human comedy author, mind you, but by cleverly crafting its own comedic material through whatever embedded intelligence-derived writing algorithms its programmed with, and then by delivering that material live, onstage?

and — from the other perspective — can our computing technologies in 2014 detect and respond to a human-delivered set of stand-up comedy through genuine laughter?

my questions here — just to clarify — challenge our current notions of machine intelligence by proposing we conduct the testing using actual machines, not just simulations of machine intelligence

let’s not fake it to make it here when it comes to our measure of intelligence — let’s avoid any sense of a mere simulation of intelligence by leveraging the state of our technologies as they exist today, ‘as is’

unfortunately i’m not the person to actually design, develop and build the actual technological objects needed to conduct these experiments — i’m just not technically proficient enough to produce an intelligent-enough robotic stand-up / humor / laughing machine to properly conduct the testing as i imagine it would need to be

but my hypothesis goes something like this:

the technologies we create will never be smart enough to deliver a successful set of stand-up comedy to a live, human audience — the content of the material would miss the mark and the delivery would be too awkward and off to get people to feel any amount of the sense of mirth needed to provoke genuine, human laughter

not only would a robotic stand-up act not produce laughter — in an even worse way such an act would most likely, instead, create an atmosphere of strangeness, this uncanny valley effect as defined and described by Masahiro Mori — the performance would feel downright creepy to people and would actually start to effect our human perceptions and our overall experience of the space and place of The Comedy Club as a familiar and funny scenario

i also do not believe our current technologies could be successfully programmed to behave in a smart enough manner onstage to improvise in the way a stand-up does on a nightly, performance-by-performance basis — a robot, for instance, might not be able to read the audience to gauge how they’re receiving the material, to see if they’re being funny enough to proceed with further material ‘as previously planned’ or to, perhaps, switch up to a different branch of jokes and storytelling based upon both an audience’s laughter and the general human feel of the room 

and then — when going in the other direction — when asking whether or not a robot or other computing machine could identify something as funny and then laugh in a natural, human way at the comedy or humor that typical inspires our human laughter — this, to me, is a no brainer

there’s just no way

in fact, we would be tripping into the same uncanny valley every step of the way — it might, perhaps, even be a far deeper fall into an unfathomable abyss of uncanniness

we can look to the dinner scene from Kubrick and Spielberg’s film A.I. Artificial Intelligence as the speculative example of what might actually happen when a robotic being encounters a humorous situation

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as a robotic boy, David sits at the dinner table with his new adoptive parents — as his parents Monica and Henry Swinton eat and drink their meal, David imitates the act of eating and drinking since he himself does not actually need food-based sustenance to live — after some silent tension at the dinner table, David breaks out into a crazy fit of laughter that quite literally scares the shit out of the Swintons — and then, following the initial scary outburst of laughter, the entire family exchanges more laughter around the dinner table

the entire scene makes no sense at all from a purely human perspective, but we see how a robot might misinterpret the tension in the room as potential humor to laugh about — here, for some strange reason, the laughter of the robotic boy, succeeds in making his human parents laugh — his laughter somehow becomes contagious for them, infectious, and they join in — but even then, the shared social sense of human laughter still contains a sour uncanniness, there is still some tense pressure residing in the room

 

so, on that note:

is there anyone that might be up to the challenge? who here on the interwebz can build a robot or other technology that could potentially make a human audience genuinely laugh?

and, could you also build out its amazing technologically-based counterpart as well? a robot that can detect and actually laugh in a human, natural way to human-delivered stand-up comedy?

do you submit to my challenge?

do you even dare?

does your dog bite?

peterSellers

sometimes i feel a lot like a human, wetware mash-up between Larry David and Peter Seller’s version of Inspector Clouseau from Blake Edward’s Pink Panther films of the 1970s and beyond

i always feel like that dream we all have where we’re walking around in a very familiar place but you know that you need to hide away for some reason — maybe you’re at school or at work or at a club or restaurant or something, but you’re overwhelmed with embarrassment and the need to hide yourself away — its only at about three quarters of the way through the dream that you realize that you’re ashamed and hiding all because you don’t have any pants on — hell, you don’t even have under garments on for that matter, and even though nobody seems to even notice you just know that you need to keep a low profile and sneak around until you can find something to cover your naked genitals and ass with

bumbling — i’m constantly bumbling

i mean — let’s say i get up and i’m in a hurry and i slide my jacket on, put my laptop bag over my shoulders, grab my coffee and water bottle and start to head out the door and then fwoOoOOop! — somehow the strap on my bag or a pocket on my jacket loops around the door handle and i’m yanked back into my ungraceful, clumsy reality again

i seem to have a bad relationship with inanimate objects

and i seem to get myself into probably just as many awkward and painful social scenarios as Larry David gets himself into on the show Curb Your Enthusiasm

its just not usually that funny to me in the moment — it only seems to grow into something of a funny story as my temporal distance from the immediate fumbling moments recede into the nebulous past

what’s kind of interesting and funny to me in thinking back to Seller’s Clouseau right now is a certain para-cosmological and symbolic connection i might have subconsciously made to a similarly hilarious character that can be watched on an almost nightly basis in our current television mass media substreaming archetype generation machine

and i think you know exactly who i’m talkin’ ’bout here Willis

that’s right — its none other than … dun dun duhhhhh!

Horatio P Caine

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when you watch an episode of CSI Miami, you know you’re supposed to take Horatio Caine dead serious — there’s this almost over-the-top ridiculousness to David Caruso’s delivery as Caine — its bad acting at its best

Caruso’s over-tense, tough as nails style of hard-guy cliché muttering at the scene of the crime actually becomes the perfect comedic counterpoint to the world of drug dealing and wheeling, murder and dark crime sizzling up from the heat of downtrodden, criminal Miami — and as unintentional as the humor may be, its a rather brilliantly clumsy-confident portrayal that truly brightens my nights when and if i get myself into a CSI jag to piss my time away

Horatio Caine almost comes across as the Anti-Clouseau in many respects, or at least that’s what i gather as the intention behind the writing and direction for CSI Miami — investigation mistakes for Caine have a far less light-hearted set of consequences than those made by Clouseau in a movie like A Shot in the Dark — you can feel that the character of Horatio Caine is supposed to come across as dark, troubled and mysterious as Tim Burton’s Bruce Wayne in 1989 Batman, but the delivery goes way too far and the result then turns into far more of a farce than anything — and for this reason, as much as Caine and Clouseau are bi-polar opposites on the spectrum of hard-assed smoothness and emotionality, i feel their intrinsically connected on a pseudo-psychic level of the collective subconscious

the dog that Horatio Caine might pet in Miami would surely bite,
but it would most likely actually be Caine’s dog

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laugh more often

stolen / borrowed photo of Danny DeVito laughing

maybe i just need to laugh a little more often

ya know?

 

Me and Marco as Beware the HaberdashMarco came out to Boston this week from Seattle and i have to say — i don’t think i’ve laughed so hard for a long, long time

and i think for the amount of time he was out this way we actually laughed more often than i normally do on your average daily or weekly basis

 

i feel a little better because of it, too

and it was all about completely silly shit, too

we didn’t need to go to a comedy club or listen to CDs of stand-up comedy in the car or anything

i think we’re just both imbued with this kind of comedic outlook on life

certain perfectly inane sequences of events can set off huge bombing guffaws of hilarity at times — and i know a lot of it is kind of just in our minds, if you know what i mean — its a particular sensibility that you collectively cultivate with a friend or a small group of colleagues or acquaintances that quite naturally develops and grows within the space and experience of the relationships we build in life — and its something unique to just certain friends, just certain groups of people in your life, based on the time you’ve spent and the amount of discussions you’ve shared over the years

sometimes just a look can set it all off, ya know?

a knowing nod

you know the deal, right? 

as a friendship builds — as any relationship builds, crumbles, ebbs and flows — the mutually-shared experiences and the things you talk about build up a sort of pre-verbal vocabulary that is very much based on a private language that each of us develops without a need for words

and its a phenomena that can really only occur with live presence

at least that’s my feeling about this concept

here’s Marco — a photo i took of Marco — when we lived out at The Church Street Apartment in Watertown back in the mid-90s

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the photograph could be called A Portrait of Marco with a Shovel, Plastic Watering Can and a Guillotine — that’s the title i would probably give it if i were including it in an exhibition in some local café, full-well knowing that nobody would purchase the photo or anything, but that coffeeshop-going viewers might spend a few minutes looking and fabricating their own interpretation of the private language Marco and i were using on that rather mild, Autumn day

you can just see it in the photograph, too, right?

the expression on his face isn’t due to a conversation we were engaged in, i wasn’t holding up and squeezing a rubber duck or anything like that, in the way they would at a Sears Portrait Studio back in the 70s

there’s a familiarity between us — between me, as the photographer, and Marco, my subject here — that you can feel if you really tune in to the warm details of the end image — i don’t know if you’d consider the photograph to feel casual or friendly, but you can see a certain kindness being expressed by Marco

i believe you can’t develop that depth of emotional connection and feeling without actual, live, human presence

when Marco and i wrote, recorded and performed as Beware the Haberdash back at about that time — in the early to mid-90s — i know that our connection through the music-makingour connection: through vibration and rhythm; through composition and improvisational, collaborative interplay; through talking about the music or planning for a show — our connection dove into a far deeper subconscious zone where speech, instruction, conversation — all of these things — were no longer necessary for us to actually communicate with each other through our shared live and present space 

its a rather fascinating phenomena

and its a phenomena that i am currently trying to better understand through my research into another very closely-related, uniquely human phenomena — the phenomena of laughter

my own personal beliefs — as informed by both my currently-collected, active research and from my gut — indicate that laughter, like poetry, is both immediately mutually-understood by a group of people at the higher, signal level within a given social context and is also involved in such a complex intersection of intellectual, cultural and physiological systems that simultaneously shatter that understanding due to all of the actual environmental and behavioral life experience we bring into the live and present social moment

to back up just a little bit here, let me first establish a background concept, a simple definition, if you will, that helps set the stage in a better light

humor and laughter exist as a living, breathing,
organic and found cybernetic, social system

its a system that learns and grows and develops and ebbs and flows just like any relationship that gets established between any 2 or more organisms in the world

at one point in human history — one could guess from the research done to-date — laughter evolved

we developed a way to laugh

we most likely started laughing as a human beings for the verySame reasons that any species begins to mutate or discover a new special skill or feature — we started laughing as a means for survival — as a way to endure certain psychological tensions that come embedded in our earthen, natural environment or that pulse within our sociological and cultural ecosystems

laughter came before humor

there’s no chicken and the egg that i can fathom from what we know about the theories and vast, eclectic academic areas that touch upon the phenomenas of humor and laughter, which include:

  • humor theory;
  • laughter theory;
  • tickle theory;
  • comedy;
  • psychology;
  • philosophy;
  • sociology;
  • neurobiology;
  • phenomenology;
  • language and linguistics;
  • natural selection and the theory of evolution;
  • cybernetics;
  • conversion, translation and interpretation;
  • and energy;

 

unfortunately this blog veryMuch reflects the rather powerful subconscious manner in which i produce and pursue my work as an artist, designer and performer — bits and pieces come to me in a rather random and sometimes chaotic fashion — i believe in chasing my inspiration in the actual moments when she whispers to me, so this means many pieces will feel undone, messy, but hopefully vital and real { or at least as real as you can get on the internetz }

so i leave you here with my thoughts from today to reflect upon

much of my previous thoughts on these subjects can be found on a myriad of other websites i publish to — for more on this thread of research and thought on laughter, humor and the areas in-between, check out Laugh Institute up on the webz — or you can always check back here to poke around some more and read up on my progress on the laughterLife, my continued experiments, writings, design and research into laughter as a human phenomena

Check out Beware the Haberdash online

failure

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i’ve come to realize that i am not particularly good at anything

i mean, i’ve actually tried my hand at a lot of things in my life — and i feel fortunate to always be curiously distracted and experimental and exploratory in my pursuit of expression and life-long research in the world

so at least that’s cool

i think i’m slowly becoming okay with the fact that i’m mostly a really good failure

laugh research in progress

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i am currently conducting more research into laughter and human awareness

the latest laugh study @ Laugh Institute

our current sessions at the Laugh Lab include both interview-based conversations to record the laughterLife personal laugh history of each participant as well as a video and audio capture of your laugh samples to augment our laugh databases

for those interested in participating, please email me at laugh@laughinstitute.org with the subject ‘Laugh Study’

although we are trying to arrange to meet in-person for those participants living and working in the Boston area, we are also open to conducting phone and virtual sessions as well

the entire interview and laugh capture process takes between an hour and an hour and a half

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