Category Archives: creativity

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LOS ANGELES, CA - FEBRUARY 11:  Musician Prince speaks onstage at 2011 MusiCares Person of the Year Tribute to Barbra Streisand at Los Angeles Convention Center on February 11, 2011 in Los Angeles, California.  (Photo by Lester Cohen/WireImage) *** Local Caption *** Prince

LOS ANGELES, CA – FEBRUARY 11: Musician Prince speaks onstage at 2011 MusiCares Person of the Year Tribute to Barbra Streisand at Los Angeles Convention Center on February 11, 2011 in Los Angeles, California. ( Photo by Lester Cohen/WireImage ) 

return of the stumpheads

please forgive me

its just my inner cyberSurrealist escaping me for a bit

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for a pocket of tiMe i wrote more freely — almost straight from the subConscious to the interwebz

the content seemed to come from some other place & far more directly published itself to some other place all of its own volition

my creative flow, back then — which i actually considered to be an uncreative process of sorts — felt inspired by the automatic writings of the original Surrealists with their delicious parlour games, these wonderful ways of tapping into the subconsciousness we all contain in very public environs like The Cabaret Voltaire — i almost felt as if i too could go back there, not only tapping into my own inner elf but also somehow simultaneously sip from the poetic well that surely continues on in this strange afterlife the Surrealists left for us as their rather trippy legacy to our modernday culture

its so obvious, too, to see — & it needs to be very publickly declared from the wifi-connected rooftops at the top of the overpopulated hilltops of every major city skyscraper … yes, yes, indeed …

the Surrealists win!

and now, in this New Age of Surrealism — an age in which we are all individual cyberSurrealists conducting our own little semi-fictionalized movements of one — we continue in the tradition of revolution of the unconscious

mission accomplished!

with our new over-mediated & over-technologized culture of technohumanity we walk around with heads held up high, the vast societal assumption is our augmented humanness puts us as a people at such an advanced competitive edge against The Animal Kingdom and against Nature — we, the thinking animals with our special, clever tools — we will surely afford ourselves an almost self-created ability to live beyond our natural lives, to smartly achieve our lives everlasting here on Earth, due to our superior intellect & our ability to trick our found systems, these systems of Nature

we somehow think we can game the rules of Nature to thereby, somehow live eternally, leveraging our technologies as the tools to get there

but these beliefs { & yes, our over-trust in Science & technology — this so-called STEM kind of bullshit — are merely a new set of Belief Systems a la Religion }, that we will somehow overcome the limits of Nature Herself, are utterly preposterous, of course { so obvious to those of us who proudly keep our heads amidst the powerful encouraging forces to adopt the newest, latest, bleeding-edgiest of the latest, newest, bleeding-edgiest of our technologies }

these technologies cannot really extend our lifespan

these technologies cannot really further advance our intelligence or our competitive advantage { since we are merely competing with ourselves at this point anyways — and really only solving the challenges our new advancements present in a reverse evolutionary manner into the cybernetic aftertrail of all of this Progress }

these technologies are not really good for these things — the things that our leading technologists & neo-futurist thinkers actually aim to accomplish

instead — i would like to humbly suggest we take a few steps back & re-evaluate what our technologies really help us do as a supposed civilized society

our technologies, during this transitional point in history { as we continue to move from a manufacturing, industrial-focused era — deeper & deeper in to The Information Age } — these technologies become far more effective devices for self-analysis

yes, in the continued tradition of The Surrealists with their fascination on our extremely human & mysterious aspects, our technologies bring that tradition of psychological self-analysis into the twentyfirst century — with our new found, readymade cyberSurrealism we can more deeply understand a far more honest sense of who we really are as individual people & as a more holistic social, world organism

unfortunately, for us,
we are far less advanced
than we believe ourselves to be

because we’ve been so hyper-focused on innovating our external reality as both individuals & as pockets of society, we’ve neglected the vastly more important aspects of innovation for our inner beings — technological advancement gives us an amazing ability to turn our subconscious out into the external world around us, but sometimes the most nasty internal energies usher out reminding us all of the intoxicating and ofttimes dangerous dualities existent within us all

we are capable of extreme good & extreme evil

& we know that the tools we develop cannot be held accountable on their own as inanimate & beloved manifestations of our genius in building communication platforms that, for the most part;

  • do absolutely nothing to facilitate any better sense of real communication;
  • do absolutely nothing to optimize our abilities to survive { or even bloom or flourish } the techno-humanic ecosystems we self-invent & evolve on a near daily basis;

the fact that we’re still so insanely focused on conquering Nature in the more Darwinian framework of natural selection by shifting our context instead of more rationally & wisely discovering new ways to better live within our given, natural context & to, hopefully, start taking better care of the more holistic, collective organism of humanity — shows how ultimately unadvanced we are on so many levels { psychically; emotionally; ethically; intellectually; socially }

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we need to somehow get better focused — we need to get back on track to evolving our species in a better way for not only all of humanity, but also for the natural world & for the future of the natural world & our existence within the context of where we really live, not just where we imagine or invent as our artificial accoutrements, our little playSpace pretend world that cozily sits on top of the underlying real nature of the planet we live on { the universe we live in }

its a life or death kind of thing, actually

isn’t it?

don’t get me wrong — i enjoy the inside-out cyberSurreality of our advanced societies — its all extremely entertaining & it usually reminds me that i’m not such a bad person at the end of the day { at least by comparison to what makes it to mass media televised reality } — its also interesting to see the sort of trainwreck status updates our social web affords my friends & family via Facebook, Twitter & these amazing new, evolving platforms for human communication { please note the facetious italicization } — once again, our iPhone { or other connected mobile devicery } transforms from our all-purpose, standard Swiss Army Knife for modern wireless communications { which most-times feel like mere echo-locative blips to self-affirm our relative importance to the people we love & care about } into a mystical, mini Pandora’s Box, a fascinating open container of sorts, tapping into the inner workings of the real human mind, the real psyche { noxious energies & borderline behaviors that we all somehow previously kept politely tucked away prior to these amazing new technological advancements }

we need to innovate our insides again, my friends

& we can also keep innovating our technologies, too — don’t take my lil’ rant the wrong way — please don’t see me as some sort of neo-Luddite, i don’t want to smash the machines & set them on fire { well, i do pretty much fucking hate my printer most of the time, though, hmmmmm }

i think i just see a need for better balance moving forward — we’ve been focused on innovation as a strictly external, object-based force for new business direction & all of that — but we also need to bring a newfound concentration on re-building our sense of inner innovation before it gets too late

failure

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i’ve come to realize that i am not particularly good at anything

i mean, i’ve actually tried my hand at a lot of things in my life — and i feel fortunate to always be curiously distracted and experimental and exploratory in my pursuit of expression and life-long research in the world

so at least that’s cool

i think i’m slowly becoming okay with the fact that i’m mostly a really good failure

prince n’est plus mort

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well — about 4 years after The Artist formerly know as Prince officially declared to the world:

The internet’s completely over. I don’t see why
I should give my new music to iTunes or anyone else.

— Prince, 2010 in an interview with the Daily Mirror

it seems as if his Purple Badness went all twisty turvy in the entirely opposite direction

with his new resigned / reworked business relationship back with Warner Brothers Prince is slated to release 2 new albums on September 30th, 2014 — he’s releasing the long-awaited Plectrum Electrum under the project name 3rdEyeGirl, which is a far more gritty rawk outfit with a live an’ trippy sense of delivery and performance, as well as the old school all-Prince album Art Official Age done up in the every instrument done up by Prince studio-style that the master musician grew to fame

you can go pre-order both albums up on the 2 official websites as: CDs with MP3s; MP3s; or as WAVs from the site and you can also pre-order up via iTunes and Amazon as well — and, not to mention all the social mediatized hype His Royal Badness put up on the interwebz like some sort of messianic 5 foot 2 inch purple yoda Obama mad on the ultra-webbified campaign trail, live streaming concert footage with 3rdEyeGirl up on LiveStream { the account is now interestingly deleted, hmmmm }, single pre-release samples up on various sites via SoundCloud, live clips of 3rdEyeGirl via Dr. Funkenberry via SoundCloud sounding’ all stripped down ‘n funkyCool, there’s literally been a strange Prince Revolution brewin’ an’ in the works now for over a year that’s been building such fervor and excitement for the fan-base — its truly incredible

i’m obviously really lookin’ forward to the new tracks i got comin’ in the mail an’ via the webz ;]

‘sGonna be so, so good

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some definitions to consider

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i look back lately — at my previous research and active design work at Dynamic Media Institute

i am re-opening my book — my design thesis book, that is — to once again take a look inside my veryOwn openContainer, and my intention to continue my investigative research into laughter, cyberSurrealism and the human experience swells and motivates me with a newfound retrospective clarity that i just frankly wasn’t ready to tackle back then

as i delve deeper into the investigation — an investigation that brings me to new areas of dangerous confrontation and heightened, intense self-awareness — i ready myself and my future audience of readers and participants with these 3 crucial definitions stolen from — or, uhm — cited from the Wikipdedia as core concepts for your consideration — important terms of reference regarding the underlying purpose and nature of my work

 

awareness
Awareness is the state or ability to perceive, to feel, or to be conscious of events, objects, or sensory patterns. In this level of consciousness, sense data can be confirmed by an observer without necessarily implying understanding. More broadly, it is the state or quality of being aware of something. In biological psychology, awareness is defined as a human’s or an animal’s perception andcognitive reaction to a condition or event.
Read more about Awareness on the Wikipedia

consciousness
Consciousness is the quality or state of awareness, or, of being aware of an external object or something within oneself.[1][2] It has been defined as: sentience,awarenesssubjectivity, the ability to experience or to feelwakefulness, having a sense of selfhood, and the executive control system of the mind.[3] Despite the difficulty in definition, many philosophers believe that there is a broadly shared underlying intuition about what consciousness is.[4] As Max Velmans and Susan Schneider wrote in The Blackwell Companion to Consciousness: “Anything that we are aware of at a given moment forms part of our consciousness, making conscious experience at once the most familiar and most mysterious aspect of our lives.”[5]
Read more about Consciousness on the Wikipedia

mindfulness
Mindfulness is “the intentional, accepting and non-judgmental focus of one’s attention on the emotions, thoughts and sensations occurring in the present moment”,[1]which can be trained by meditational practices[1] derived from Buddhist anapanasati.[2]

The term “mindfulness” is derived from the Pali-term sati,[3] “mindfulness”, which is an essential element of Buddhist practice, including vipassanasatipaṭṭhāna and anapanasati.

Mindfulness practice is being employed in psychology to alleviate a variety of mental and physical conditions, including obsessive-compulsive disorderanxiety, and in the prevention of relapse in depression and drug addiction.[4] It has gained worldwide popularity as a distinctive method to handle emotions.
Read more about Mindfulness on the Wikipedia

 

All preceding definitions from this blogPost came from the infamous Wikipedia out there on the webz. Go check it out { as if you’ve never heard of it, right? } and don’t forget to occasionally donate a bit to keep the project funded and smoothly movin’ along — we all learn soOOoOoo much from our little Wikipedia that could now, don’t we?

 

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shazbot

robinWilliams

now you are free, my friend, finally free — and you are with all of us, in all of our hearts and thoughts and in the energy that feels good and alive and light and happy

thank you

you gave us so much

a little game

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my art can sometimes feel a little ‘all over the place’

i don’t like to limit myself too, too much when it comes to my vehicles of expressive delivery — that combined with my natural tendency toward a scattered but exciting sense of ADHD plus my rather lengthy and continually-expanding collection of influences and inspirations makes for a rather eclectic body of work that i sometimes try to organize into threads or streams of my work

in my design thesis from Dynamic Media Institute, ‘confounded: future fetish design performance for human advocacy,’ i purposely chose the term ‘streams‘ for a few reasons:

  1. i feel like my subconscious is a far more present and powerful force in my creatively expressive, personal work;
  2. i enjoy following my subconscious — my streams of subconscious — to archeologically mine for the deeper, personally-symbolic inner significance that i’ve accumulated like a patina over the course of my life;
  3. i know that i naturally tend to bury certain emotions, memories and stories in the strange style that a chipmunk saves away little morsels for the long winter ahead — these might be feelings that are far too shocking and powerful for me to handle in any conscious manner in the current moments i am living in, and i am almost certain, for the most part, that a significant amount of people partake in this similar activity as a mere means of surviving the ‘day to day‘ dysfunction and chaos we all encounter along our life’s journeys;
  4. i also tend to hide away from time to time, sometimes for large spans of time, greatly depending upon my mood and certain life events — i can nicely attribute this behavior, to sort of tuck myself away inside my shell, to being born under the sign of Cancer — the symbol for Cancer, of course, is the crab — and after spending many an afternoon tide pooling with my wife and son, flipping rocks along the shallow shoreline out at Lynch Park in Beverly among other beautiful Atlantic coastline seaside retreats, i’ve developed an observational understanding of not only the ‘tough, outer exterior’ of the crab and the notion of ‘crabbiness’ that might be somewhat symbolically mapped to the drastic shift in moodswings i experience on a fairly regular cycle, but i also now better ‘get‘ how these little pinchy critters live — tucking themselves away, a bit under the sand or between the rocks as the tide ebbs and flows — its an interesting lifestyle to study and reflect upon, especially knowing that there are definitely some similarities between my own behavior and that of these amazing little moody crustacea;
  5. i guess i’ve veered away from exploring why the term ‘streams‘ so nicely captures the nature of my work and certain categories of recurring episodes in my work — this last enumerated bullet point, to get back to the concept of these streams of subconscia, pertains to the rather interesting evolution within certain streams of my work — as i tend to, at times, act more like a chess player than an artist, as i move and follow both the journey of certain objects and installations from literally geopolitical ‘place to place’ as well as the state of its existence into the next, and sometimes even beyond itself out into the metaphorical afterlife of the piece or its sub-componenture

today’s update on the information kiosk i purchased from Border’s Bookstores prior to the closing of the bookseller chain brings us just a few yards away from where it previously resided over the last 6 to 9 months or so — i don’t think this will be its final destination, by any means, however, i can see an interesting new stage in the piece’s evolution coming together in my mind’s eye

i original purchased the kiosk to build out a prototype for my Laugh Observation Library back at DMI @ MassArt — the LOL included a bookcase collection of 100 bottles containing a variety laughter samples per bottle along with this oddly orange information booth housing a laughScan Station to actually activate each sample for further faux-scientific research into humor and the human phenomena behind laughter

the original and only installation of the Laugh Observation Library appeared in The Pooka Lounge in Bakalar Gallery at MassArt as part of forensicEvidence — the name of my final showcase of work in the 2011 MassArt Thesis Show from my DMI @ MassArt experience

in retrospect the statement that my micro-installment made perfectly fit the bill regarding my discoveries around both MassArt and gallery exhibition in general — and this particular piece, although not exactly aesthetically matching the clinically sterile environment of a traditional scientific laboratory setting, especially that of a forensic investigation crime lab, really seemed to appropriately comment on my personal feelings regarding what Brian O’Doherty describes as the ‘white cube‘ controlled context of the gallery space associated with High Art

in fact, this installation and my personal aesthetic not only provided a silent and polite, subtle sociological commentary on both Art and Science as rather haughty professions, but the rather organic, make-shift style of my work also appropriately mocked the institutionalized aspects of high formality associated with not only Art and Science, but even with Design itself for encouraging a somewhat exclusive attitude within its highest of the high socio-professional, pseudo-political circles

the pieces i presented in forensicEvidence were the dead remains from my work at MassArt — the physical evidence of my work, but also of the pretend criminal activity i either partook in or witnessed while researching and working on my art at MassArt — now, of course, art-making is not exactly a criminal activity, although sometimes it can feel like such an endeavor when living and working outside of the inner protected sanctum of academia and its related artedness, but in some ways i felt like i definitely witnessed what i came to call ‘Crimes Against Creativity‘ — i won’t elaborate too, too much here on these crimes i witnessed, but i definitely felt a bit disappointed in some of the people and vibes i encountered while working toward my graduate degree at MassArt and unfortunately these were events, policies and behaviors that i will not soon forget and nor would i ever expect an institution of higher learning to simply grin and bear without pursuing some follow-up activity to properly set the record straight and rectify unacceptable, malicious and ignorant behavior

… anyhow …

following forensicEvidence — the kiosk remained in the back of my truck, nicely sheltered from the elements, but definitely getting in the way of any sane semblance of life

a month or so after i took the information booth out of my truck and left it at the head of my driveway — although a bit silly-looking in its now more ‘natural’ surroundings in this highly wooded area of Boxford, i actually loved seeing this ugly, orange desk-like fixture from a typically highly-corporate retail environment now planted in the midst of trees and lush, green ferns and other fertile elements of the great outdoors — and i was extremely happy not to have followed my original bad instinct to just leave the kiosk in a nearby cemetery { after, of course, taking some choice photodocumentation of this potentially-strange, satiric gravestone tribute to The Information Age — which would’ve certainly been bound to be an entirely illegal but hilarious act of vandalism or refuse disposal in the eyes of the court, i’m sure }

but now, many months later, after surviving an Autumn, Winter and Springtime out in the driveway, i decided to drag the information kiosk up the steps into our backyard and set it out just at the edge of our deck

here i hope to festively decorate the kiosk with some simple crushed stone around its base — maybe arranging some beautiful potted plants on the tabletop and around its stable and heavy periphery — perhaps this Summer and into the Fall, this will be our funerary preparations for the kiosk before finally allowing myself to emotionally let go of a piece that never quite got beyond the prototypic stage — this might be a truly wonderful way to commemorate the short lifespan of this mysterious object that i’ve carried around with me from place to place, an object that has come to symbolize the weight of the personal information we carry around with us in life

its time for me to prepare

these are the last few months i will live with this bizarre physical manifestation of my memories, feelings and unnecessarily burdensome set of heavy experiences i still find myself hanging onto

i will be certain to document these last arrangements i make with the kiosk — i hope to focus on growing something positive and beautiful on, around and through the information booth — to evolve some of the confounded emotions and energies that remain into / toward a blossoming garden of new vegetal information for further maturation and growth and positive seed for the future

coming to theatre near you — The Nigerian Frequency

‘in a world where people and machines live in perfect harmony side by side, and where virtual ‘friendles’ help guide us through our experiences in the world to help optimize the quality of our human life … one man faces an extraordinary challenge … ‘

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but seriously folks — just dropping you this friendly blogPost about a movie made by some dear friends of mine out in the remote nether regions of Chelmsford, Massachusetts

over the last year Matt and Zachary Scott, Pat Snow, and Christopher Borden diligently squeezed in bursts of productive writing and fieldwork filming with an extensive and complicated cast of virtual and real actors to bring you a tale filled with dark humor commentary about our dystopian near-future humanity as effected by cryptically-dysfunctional and subversive social media technologies 

written and directed by Matt ScottThe Nigerian Frequency explores the psychoSocial tension that could actually foretell the unfortunate post-humanic fate for our future-state humanity

read this official press release to get the official low down on The Nigerian Frequency

see the official Nigerian Frequency film trailer up on Vimeo

The Nigerian Frequency will premier at 7pm out at The Somerville Theatre as the official kick-off feature-length film for The 39th Boston Sci-Fi Film Festivalgo to this Eventbrite link to get tickets to The Nigerian Frequency or head on over to this Eventbrite page to get more info and ticket packages for more lengthy fun at The Boston Sci-Fi Film Festival

after the premier of The Nigerian Frequency, the writer and director Matt Scott and a small, select portion of the production team and crew will linger for an official question and answer panel to reflect on the themes of the film and the processes of making The Nigerian Frequency, so please come on out and join in on the intellectually absurdist science fiction fun on February 7th

we hope to see you there

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