Category Archives: comedy

Scrum Flew Over The Cuckoo’s Nest

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Stand-Up

onStandUpi just wrote and posted some of my recent thoughts On Stand-Up Comedy and UX up on LinkedIn — go gander a bit and read if you’ve got some minutes to spare, i think i’ve bumped across a lot of interesting similarities between the 2 fields by taking Amy Tee’s Stand-Up Comedy course out at North Shore Community College this Summer and some of the work i’ve done by learning about stand-up — through the process of writing and refining a set of stand-up comedy — enlightened me about various aspects of my life ( both personal and professional ) on SO many levels

its been a fascinating journey

that said — in less than a week i will perform my very first serious set of stand-up comedy out at Timothy’s in Danvers — here’s a link to the Facebook Even Page in case you’re interested in seeing more about the event or maybe even purchasing tickets for dinner and the show — its gonna be a lot of fun with over 10 comedians breaking out their material to friends, families strangers and frenemies, i really can’t wait

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after this week’s debut stand-up performance i will most likely head back to Laughter at the End of the World, Outloud Open Mike and other similar, wonderful events to perform and test my material and hopefully augment this initial 6 minute set into a fuller body of work to keep pushing my comedy

after that, i gotta get back to focusing on building out and working with the team of Comedy Catalysts i’ve rounded up for TEDxBeaconStreet this November — SO many amazing TED Talks goin’ down for a big weekend in midNovember, and SO many talented comedic professionals expressing interest and comin’ on board — ‘sGonna be SO much fun!

 

 

on the next …

lou suSi, stand-up comedian and comedic performer

so, here i am

much of my life remains the same in so many ways — and yet recently i feel like i’ve made fantastic strides in life that open up new areas for discovery, new opportunities to grow and contribute in an entirely refreshing way

i’m starting up a new chapter in life

this is a chapter that i’ve actually been working on for most of my life

i’m such a fucking late bloomer, though

a complete clod

always fumbling for the pull chain to click-click the closet light on and finally shed some light into the darkened room

i say this not to beat myself up here on my very own blog or anything, but i guess in retrospect its all so refreshing obvious to me now

my new direction feels so incredible simple, too — almost too entirely natural for me to feel like i just suddenly discovered it over the course of the last few months

i’ve finally decided to start taking humor and comedy seriously

it sounds so hilariously strange to me when i write it out like that, too, but its one of the few times in my lifetime that just make sense and feel right { other similar times from my life include: coming back into Art and Creativity as my core career focus; falling in love and marrying the woman of my dreams and making a family and life together; digging deeper into my creative energies and talents to focus on experience design and research-driven, user-centered processes as my lifelong avocation }

i’ve done a lot of self-reflecting,
soul searching and analysis
these last few years

and its been wonderful looking back at my life to see the long list of crazy, humor-based projects, performances and installations i’ve either curated or directly created — running through my CV, i get this sense now that i’ve been tap-dancing like a madman in a field of pollock paint splotches, perhaps so busy making — happily making — to even see from a higher perspective if there might be any patterns lurking in the mix

part of me doesn’t want any of it to make sense at all

as an artist, that’s not my job at the end of the day anyways, right?

but another part of me knows that you can create from a far stronger place with a deeper sense of self-awareness around what you do { or even around what you did } and i think that’s what i’ve been finally looking into as a way to build a new place from which to make my work

you would think that all of this self-reflection, too, would lead me to a far mature foundation from which to make and curate and perform

but it looks like i still needs to be silly

perhaps even sillier than i’ve ever been before,
at least within the context of my past work

i recently took on the amazing role of the official Comedy Catalyst for this year’s TEDxBeaconStreet in the Fall and i am committed to making the comic relief i bring to the weekend and all of its surrounding events so completely knee-slapping nuttyFun hilarious that i’m almost skipping rope with glee like a naughty child from right my office desk at the moment

i am committed to bringin’ the funny in such a big, big way

just remember — i couldn’t possibly make fun of TEDxBeaconStreet by my lonesome — its only via my carefully hand-selected Comedy Catalyst Team that the right kind of laughter can flow between the cracks of over-glorified bleeding-edge ideas from the most upper ups of our oh so humble Boston-Area intelligensia

let me know if you’re interested in joining our wisecrack ninja team of humorists, stand-ups and other olympic comedic adventurers out at TEDxBeaconStreet — ‘sGonna be too much fun { TMF that is }

 

 

does your dog bite?

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sometimes i feel a lot like a human, wetware mash-up between Larry David and Peter Seller’s version of Inspector Clouseau from Blake Edward’s Pink Panther films of the 1970s and beyond

i always feel like that dream we all have where we’re walking around in a very familiar place but you know that you need to hide away for some reason — maybe you’re at school or at work or at a club or restaurant or something, but you’re overwhelmed with embarrassment and the need to hide yourself away — its only at about three quarters of the way through the dream that you realize that you’re ashamed and hiding all because you don’t have any pants on — hell, you don’t even have under garments on for that matter, and even though nobody seems to even notice you just know that you need to keep a low profile and sneak around until you can find something to cover your naked genitals and ass with

bumbling — i’m constantly bumbling

i mean — let’s say i get up and i’m in a hurry and i slide my jacket on, put my laptop bag over my shoulders, grab my coffee and water bottle and start to head out the door and then fwoOoOOop! — somehow the strap on my bag or a pocket on my jacket loops around the door handle and i’m yanked back into my ungraceful, clumsy reality again

i seem to have a bad relationship with inanimate objects

and i seem to get myself into probably just as many awkward and painful social scenarios as Larry David gets himself into on the show Curb Your Enthusiasm

its just not usually that funny to me in the moment — it only seems to grow into something of a funny story as my temporal distance from the immediate fumbling moments recede into the nebulous past

what’s kind of interesting and funny to me in thinking back to Seller’s Clouseau right now is a certain para-cosmological and symbolic connection i might have subconsciously made to a similarly hilarious character that can be watched on an almost nightly basis in our current television mass media substreaming archetype generation machine

and i think you know exactly who i’m talkin’ ’bout here Willis

that’s right — its none other than … dun dun duhhhhh!

Horatio P Caine

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when you watch an episode of CSI Miami, you know you’re supposed to take Horatio Caine dead serious — there’s this almost over-the-top ridiculousness to David Caruso’s delivery as Caine — its bad acting at its best

Caruso’s over-tense, tough as nails style of hard-guy cliché muttering at the scene of the crime actually becomes the perfect comedic counterpoint to the world of drug dealing and wheeling, murder and dark crime sizzling up from the heat of downtrodden, criminal Miami — and as unintentional as the humor may be, its a rather brilliantly clumsy-confident portrayal that truly brightens my nights when and if i get myself into a CSI jag to piss my time away

Horatio Caine almost comes across as the Anti-Clouseau in many respects, or at least that’s what i gather as the intention behind the writing and direction for CSI Miami — investigation mistakes for Caine have a far less light-hearted set of consequences than those made by Clouseau in a movie like A Shot in the Dark — you can feel that the character of Horatio Caine is supposed to come across as dark, troubled and mysterious as Tim Burton’s Bruce Wayne in 1989 Batman, but the delivery goes way too far and the result then turns into far more of a farce than anything — and for this reason, as much as Caine and Clouseau are bi-polar opposites on the spectrum of hard-assed smoothness and emotionality, i feel their intrinsically connected on a pseudo-psychic level of the collective subconscious

the dog that Horatio Caine might pet in Miami would surely bite,
but it would most likely actually be Caine’s dog

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a theory about comedy strategy from Joan Rivers

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as most people by now — Joan Rivers passed away yesterday
on August 4th, 2014

i truly enjoyed her comedic style and especially loved watching her latest project Fashion Police many an evening with my wife — the level of social commentary on the rather insane world of celebrity and fashion actually seemed to be the perfect target for her brand of ribald, insult-based humor, and even though she sometimes projected harsh criticisms in a supremely public delivery forum, she also intentionally added a level of humility and humanity to every conversation she engaged in on the show { and throughout the span of her entire career, too } by making Fashion Police a conversation instead of a ranty dialog

i actually found her to be quite endearing, regardless of the harsh and vitriolic persona she portrayed as part of her little critique panel for the Hollywood Junior High School culture covered so endearingly in the mainstream media — she also very cleverly hand-picked her more gentle colleagues on her panel to offset her mean transgressions against these almost holy figures the American public seems to so readily worship — her nightly posse, Kelly Osbourne, Giuliana Rancic and George Kotsiopoulos, nicely accompanied and balanced out the Rivers’ material in a really beautiful and thoughtful way, which I’m sure was the natural, genius orchestration behind Joan Rivers and her larger than life personality and comic approach to life

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i think i particularly loved her blunt and ofttimes vicious injections knowing full well that Rivers was consciously targeting her own culture, the culture of stars and fashion and appearances — the surface culture that covers all of America — as much as she was part of it, she constantly thumbed her nose to it in the most deliciously self-deprecating and hilarious way imaginable — and, Rivers also seems to have left a legacy of philosophical insight into the strange dynamics of comedy and funniness that can be rather easily exhumed from various sources around the web

i find this quote particularly fascinating — it seems to confirm the theories that Portland State University communications professor David Ritchie, PhD discusses as his Truth in humor theory in Metaphor and Symbol as most likely derived from Freud’s Relief Theory of laughter and humor 

I succeeded by saying what everyone else is thinking.

— Joan Rivers, 1933-2014
we love you, we live on through your life devoted
to humor, social commentary and laughter

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robinWilliams

now you are free, my friend, finally free — and you are with all of us, in all of our hearts and thoughts and in the energy that feels good and alive and light and happy

thank you

you gave us so much

the laughterLife

little child baby

i so wanted to already unrealistically be done with my re-written thesis by now, which i realize is simply ridiculous

one of my main issues — both my biggest challenge and my greatest attitudinal asset as an artist and designer, actually — is my utter lack of any sense of realism

i am Surrealistic through and through

and with my previous thesis work, too, i’ve contextualized my work and personality as that of a cyberSurrealist

but this was the distracting pull that veered me away from what i now feel should have been my main thesis focus — laughter

confounded — as nicely expressed by my überStrong and somewhat out of control subconscious interior — was just that on SO many levels

confounded

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i love the work i did out at DMI to death — really i do — but i completely understand some problematic issues of my own struggle between focus and blur — i even had very specific slides in my performative review presentations that visually depicted my tendencies to ebb and flow from one mode into the other

of course, there’s nothing wrong with pushing and pulling between more focused work and blurry brainstormy fun — but then, when trying to research, design, test, reflect and articulate on a meaningful topic, that’s when its important, of course, to try and pull something reasonably understandable together as a final product with important conclusions for an audience’s considerations

i got excited about founding a movement of one { which i now find hilarious } — this soft revolution of sorts that gave me the good excuse to ‘act out’ a little bit and experiment with psychoSocial boundaries that are now beyond blurred due to an increasingly fleeting technohumanic evolutionary ecosystem — there’s no guardrail to this shit at all — and the lack of rules or standards opens up plenty of opportunities for us all to exploit as cartoonish iCapitalists set loose on the world

wdwwwtd

 

there are little to no consequences for acting more and more emotionless and robotic — for approaching the previous dotted-line boundaries that were once oh so clear to us all but that are now very easy to step across in the most silly, passive-aggressive ways imaginable

and, of course, we’re all well aware that these things happen every day — corporations seem to lead the way by transgressing what we all know is the territory of wrong and then either asking forgiveness later or somehow making the bent or broken rules officially and permanently forever bent in the way of corporate favor

but now, back to laughter

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i’ve got to get back to laughter

both as a topic to finish my research, prototyping, reflection and reporting on and as a lighter way to live my life over these last 30 to 50 years or so

i’ve been feeling heavy lately

i’m physically heavy — or as they say, obese

i’ve always gone up and down in weight, its been an ongoing life challenge for me — and every once in a while i put my best effort into getting healthy by starting up jogging, watching what i eat, going to the gym, staying away from sweets, all that, ya know? 

but that kind of life is just SO boring — the vigor and fun gets just sucked right out of every minute when you’re watching every little morsel you eat — and SO many options at restaurants and even at the supermarket are simply off the table — life becomes a little less flavorful

and, on top of all that drop in the joy of eating, exercise is just dead boring to me — hamsterwheel cardio in front of a row of vapid television programming while listening to the current piped in muzak poppedness feels like such a waste of fucking time — i mean, i know it isn’t — its a little road to recovery and all, but jeez, wtf? ya know?

so, besides being physically heavy, i’ve also been extremely spiritually heavy as of late

i feel that at the tender age of 44 i’ve accomplished enough in life, but i don’t feel like i’ve done anything all that ‘great,’ if you know what i mean — and now that times a tickin’

i mean, besides being a relatively decent dad at times and a semi-decent person { mostly by comparison, which i guess isn’t saying all that much at the end of the day … hmmMMmmm } i’m not feeling like i’ve made a dent in some of the big challenges we face in the world

but then again, who am i? right?

what can one person possibly do to make at least a minor portion of some of this shit we deal with ‘right’ for our future generations?

 

at times i’ve described my thesis — my previous thesis, confounded: future fetish design performance for human advocacy — as being about ‘laughter, humor and the area inbetween’

my contextual history from confoundedsomewhere between humor and laughter — at least captures different definitions for the word ‘funny’ as a way to establish the uncanny valley of humor i typically situate myself within — as a sometimes amateur comedian, i am actually quite bored with comedy and often plant myself as a performer, or even as a member of the audience, as a bit of a virus — at this point, comedy is a commodity and so much of it just isn’t funny at all in the ‘ha ha’ sense of being genuinely funny — humor is now vastly flattened, predictable and unsurprising and much of the time a stand-up comedian or even the actors in a situation comedy vastly depend upon the magic of the setup of a comedy club or televised comedic show to land the laughs

i get the sense that we’re practicing the ghost-rhythm of the previously established comedic delivery and ultimately leveraging the tickle-theory basis of something like Peter McGraw’s Benign Violation as a delivery strategy to make people laugh — but i’m still not convinced any of it is truly ‘funny’ per se

what i’m finding lacking in the research right now is a lack of openness to many perspectives

in order to understand laughter as a human phenomena i think we also need to study and research laughter, humor, comedy, funniness and the lack of funniness to better analyze the entire milieu of these built-in forces within us all

what makes something funny? what makes something unfunny? why do we laugh? what’s laughter all about? why do we need a joking comment or a television canned laugh track or the wonderful trappings of a stand-up comedy club as the contextual ‘space’ that gives us permission to laugh?

these were areas i lightly focused on in my 4th stream in confounded — the last stream, too — but one that still feels somewhat incomplete, hurried and waiting for continued work and revelation

i touched upon a lot of important thought and research around laughter but didn’t give myself the space and time to properly focus this vastly important area of my research

this is the page i’ll now turn to — i want to re-open this stream of research, work, prototyping and reflection to finish the work that i started and finish it up in a far more rewarding manner

i don’t know if this will end up feeling like something ‘great’ to offer up to the world, or at least not ‘great’ enough, but i think this work deserves to be finished in a decent manner

i will treat the topics of laughter, humor, comedy and funniness { and even lack of funniness } with dignity and respect

and then i will eat them

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coming to theatre near you — The Nigerian Frequency

‘in a world where people and machines live in perfect harmony side by side, and where virtual ‘friendles’ help guide us through our experiences in the world to help optimize the quality of our human life … one man faces an extraordinary challenge … ‘

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but seriously folks — just dropping you this friendly blogPost about a movie made by some dear friends of mine out in the remote nether regions of Chelmsford, Massachusetts

over the last year Matt and Zachary Scott, Pat Snow, and Christopher Borden diligently squeezed in bursts of productive writing and fieldwork filming with an extensive and complicated cast of virtual and real actors to bring you a tale filled with dark humor commentary about our dystopian near-future humanity as effected by cryptically-dysfunctional and subversive social media technologies 

written and directed by Matt ScottThe Nigerian Frequency explores the psychoSocial tension that could actually foretell the unfortunate post-humanic fate for our future-state humanity

read this official press release to get the official low down on The Nigerian Frequency

see the official Nigerian Frequency film trailer up on Vimeo

The Nigerian Frequency will premier at 7pm out at The Somerville Theatre as the official kick-off feature-length film for The 39th Boston Sci-Fi Film Festivalgo to this Eventbrite link to get tickets to The Nigerian Frequency or head on over to this Eventbrite page to get more info and ticket packages for more lengthy fun at The Boston Sci-Fi Film Festival

after the premier of The Nigerian Frequency, the writer and director Matt Scott and a small, select portion of the production team and crew will linger for an official question and answer panel to reflect on the themes of the film and the processes of making The Nigerian Frequency, so please come on out and join in on the intellectually absurdist science fiction fun on February 7th

we hope to see you there

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the theatre of Work, ReVisited

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back in 2009 when i still conducted critical design research for Dynamic Media Institute in Boston i decided to start up a presentation series aimed specifically at helping my greener friends coming into the industry with some of the basic challenges they might encounter along the journey of their profesional lives

i’ve encountered more than my fair share of interesting twists and turns in my rather adventurous career as an accomplished experience design professional — and some of the joys and tribulations of navigating the glorious terrain can benefit by simply continuously building a better and better understanding and awareness of the environments in which we need to perform

in delving into the digital archives of my mind i recently rediscovered a few slides appropriately titled the theatre of Work — survival tips for newcomers to the workForce

the theatre of Work

the phrase by itself starts to imply some of my subconscious views and feelings regarding: the social dynamics; the essential personal behaviors we need to exude while performing; and general feel of the landscape set up by the workaday world as a means of reaching toward success for ourselves and for the companies we work for

i am an experience designer and a performance artist

i never studied the theatre, which is an important key differentiator i need to continually remind myself of along the way

its also vitally important to have an unrelenting sense of self-awareness and continuous introspective reflection for the kind of trek we’re all on within ANY industry

just this hybrid mash-up between designer and artist can have extremely important internally conflicting motivations embedded within the very nature of each role

but anyhow, i digress { i just heard someone on blogging across the way stand up and scream, ‘DigreSsioN!’ ala that famous set of passages from A Catcher in the Rye ;] }

after living a little longer and experiencing a few more years of this life of work we all live and breathe, i believe i have even deeper, more profound wisdom to share than i originally intended by designing up a few slides for a future-such talk to be about workerly advice

i am therefore re-opening this thread of thought — copy-pasting the open Keynote file and the PSD folder from my portable harddrive back onto my current active MacBook Pro device to really start digging into what new significance i can bring to the table to help people navigate the choppy waters and hopefully not make all of the same foolish mistakes i’ve made along the way

i know my triathlon could’ve gone a LOT smoother so far had i just had proper mentorship or perhaps better personal self-awareness and more thoughtful empathy to guide me

but i’m an impatient clown, for the most part

i always want the impossible and i design to reach for the bluest of the bluest skies

i would be more of a fool, however, if i continue to noodle and clown without ever learning and growing for the journeys i’ve made — and i feel that if i share some of my story in a thoughtful and meaningful way it might actually make up for my own silly idiocies and hopefully make for a better overall experience for colleagues, friends, acquaintances and frenemies that even care to listen at this point

i need to focus on my storyFirst presentation out at Massachusetts College of Art for the next few weeks, but i also hope to put some time into this theatre of Work concept, too, as it is near and dear to my heart — i want to help people and give them better perspective and hopefully facilitate better and better experiences in the world through my designwork and my design leadership

but, until then — shove off, bitchez! ;]

 

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coming, to a theatre near you

as an avid collaborator — and relentlessly sillyman and fool — my good fortune dropped me into the project work of Christopher Kentley Field back at MassArt’s relatively underground and superCool design graduate program Dynamic Media Institute

i mean, its like i had no shame at all when i take a retrospective egoSurfing search of love down interactive, online memory lane, ya know? looks like i’d do just about anything to ‘earn’ a graduate degree, ya know?

anyhow, Chris got the like of Andrew Ellis, myself and some even cooler people together to put together this excerpted short from a feature film idea that Chris had written prior to coming to DMI — see what you think — i mean, i’m pretty proud of how it came out despite the fact that i’m playing a part that seems way too naturally-acted by me — yep, that’s right, folks, i’m basically a washed-up, old, homeless-like dude on the Boston T — a real flattering way to put myself ‘out there’ as an actor, right?

anyhow, here’s the clip ‘Deadbeat’ courtesy of Christopher K Field and Vimeo — enjoy! ;]

Deadbeat (first cut) from Christopher Field on Vimeo.